Two friends go to St. Petersburg on a business trip that will change them forever. Completely different, like ice and flame, guys fall in love with two Petersburgers equally strongly. Reliable and pedantic Kostya loses his head when he meets an eccentric Game. And the freedom-loving lovelace Sanya for the first time thinks about a real relationship, having met the mysterious cellist Nastya. Love turns the measured lives of Muscovites upside down — and none of them knows how to deal with this new feeling.

A teenage girl was murdered in Kaliningrad. Investigator Eva Kaidas recalls that 20 years ago, 13 girls were killed in a similar way, the maniac was never found. Then the maniac, changing his voice, talked live with the famous local journalist Roman Rakhmanov, host of the talk show "Voice of the Monster". Eva and Roman, having gone through a complete rejection of each other, a passionate romance and mutual suspicion, uncover a convoluted series of murders stretching for 20 years, as well as cope with their own fears and long-standing mental trauma.

19-year-old Egor Chudinov goes in search of his parents, who disappeared during an ethnographic expedition to the Perm Region. Together with his uncle Nikolai and two random fellow travelers — students of philology Tanya and Nadia - Egor moves deeper into the territory, which lives according to its own laws and traditions. There is a gloomy nature here, hermits live in forest dugouts, diseases are treated by sorcerers, and the cause of troubles is considered to be damage caused by witches, and somewhere among the dense forests a bear shaman wanders. At first, Egor is skeptical about the stories about ancient creatures of Komi-Permian mythology, but gradually realizes that the world is much wider than his ideas.

There is no single truth in love. Each treads their own path. Which should take precedence – passion or duty? How do we choose? And who gets to judge? These are the eternal questions, remorselessly thrust upon us by life. Anna Karenina made her choice, leaving her son Sergei to grow up struggling to understand why his mother took such a tragic and terrible path, and Count Vronsky haunted by the memory of the woman for whose death he still blames himself 30 years later. In 1904, in the aftermath of one of the battles of the Russo-Japanese war, Sergei Karenin and Alexei Vronsky find themselves thrown together in a remote Manchurian village, where fate offers them a chance to return to the events long past and, finally, to find the answers both have long been seeking.

Short film created from footage that has not been incorporated in the final cut of the film "The White Tiger" In June 1944 the Soviet arm encircled 53 army corps of General Gollwitzer in the Vitebsk area. The Germans fiercely defended themselves, and the Soviet army tightened the rina...

Victor Sluzhkin signs on as a teacher of geography in a secondary school in his native Perm (in the Urals) and gets lost in a haze of hard vodka, desperate love for a nymphet-like student and the stress of educating teenagers. Geographer, as the students immediately dub Sluzhkin, attempts to escape from the grueling, dull, stultifying reality of Russia's provincial life in a rafting tour to the Urals. Accompanied by wild, adventure-seeking adolescents, faced with the numerous grim surprises of the nature, Geographer is poised to find himself and his own truth.

Simultaneously nihilistic and heartening, Ward No. 6 is based on a story by Chekov, in which a psychiatric doctor becomes a patient in his own asylum. Updated to contemporary Russia, the film is a cocktail of anxieties and riddles, showcasing how easy it is to become what we fear most.

The heroine, a lonely woman, falls in love with a young businessman very similar to a childhood friend. Everything separates them, the age difference, the social position and this creates a multitude of obstacles, sad or ridiculous, to the realization of their aspirations. But how to imagine that this man, who was trying at the beginning to get rid of an intruder, comes to a declaration of love accompanied by flowers.

The young director tries to make a movie, following the script of the venerable playwright as much as possible.

A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated, then gang raped her. Local cops are incapable to undertake an adequate actions against the scoundrels - prevented by the superior chief of the local police, who is the dad of one of the scumbags. The case is closed. The girl's granddad tired of an endless circumlocution decides to take revenge in his own hands.

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.