Martin Matte and his hilarious universe are back, and this time he’s taking on separation and shared custody!

Behind a façade of legitimacy, the Fournier-Costa family control illegal betting, drug trafficking and other lucrative pursuits in the region of Valmont.

As they set out on a hunting trip, Steph teaches Sarah basic gun safety. It’s her very first time…

The elevator is therapy for a man trying to get to the top floor of an enormous skyscraper in the company of some of humanity’s most annoying specimens.

Talk show host Marc Morin is at a crossroads in his career and in his personal life. The ratings of his show are failing and he is losing touch with his family. In an effort to regain the love and respect of his audience, Marc’s agent decides to send him, against his will, on a humanitarian mission to Haiti. Nothing can prepare Marc for the journey on which he is about to embark.

Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.

Psychological crime series following the investigations of interrogation experts Julie Beauchemin and Maxime Moreli.

Love. Grief. Shock. Denial. Sleeplessness. Bubble bath. Mucus. Masturbation. Pigeons. Toothpaste. Hospital. F**k. Bye. Hair. Sports. Chicken. Bootie. Kids. Rejection. Squirrels. Cries. Awkward. Ninety-five scenes. Five minutes. Life's a bitch.

On the very same day of her second abortion, Marie Sophie’s attending the shower of her younger sister Maude, who’s seven months pregnant. As Maude gets all the attention deserved to a future mom, and makes sure everything’s perfect for the celebration, Marie Sophie, after the casual humiliating roundup, is tagged as the self-centered and insensitive woman.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.