An adaptation of Les A.M.I. du Tassili by the Algerian Akli Tadjer about Algerian immigration in France.

Can a loving relationship of eight years go down the drain because of a single moment of carelessness? Virginie and Laurent have always treasured fidelity, but Laurent's opinions and appetites are starting to shift with the times.

In this surreal, overstated, black-and-white film by Marcel Schuepbach, a young woman is slowly driven to near insanity by an inner desire for a passionate existence, while she lives a dull life at her grandmother's country home. The grandmother recalls how her own daughter lost hold of sanity and died on her lover's grave -- and she begins to see similarities in her granddaughter's behavior.

A young man wakes up one day transformed into a giant insect.

To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.

After a feminist is found murdered in her own home, a police detective investigates the crime with the help of several determined women.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

Raphaël de Valentin is a tormented, hopeless and penniless young aristocrat. An old antique dealer gives him a sorrowful skin that has the power to grant all the wishes of its owner. But he warns him: with each wish granted, the size of the skin will shrink.

Based on Molière's play. The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven't spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. When Cléante, at last, tries to speak to Harpagon, the old man informs the family that he wants to marry Marianne, the young girl loved by Cléante. Unaware of his son's sorrow, Harpagon doesn't understand why Cléante has become so angry with him.

Nicky and Marta, brother and sister, reunite in their childhood home in the Venetian countryside. Accompanied by Claudia and her lover, as well as Nicky's partner, Picchio, they plan to spend a Sunday together when fate intervenes.

The independently-minded daughter of lower-middle class French shopkeepers, Brigitte, one of three sisters, refused to marry the father of her child when she became pregnant. In this film, she reminisces about her family life beginning when she was about five years old, up to the present when she is in her early 20s. Of her two sisters, one has a nervous breakdown and the other one becomes something of a baby factory. Colorful anecdotes of her eventful life lend additional depth to her insights.

A talk show presented by Michel Drucker