Ewa Partum

Ewa Partum

Ewa Partum (born 1945, Grodzisk Mazowiecki near Warsaw, Poland) is a poetry artist, performance artist, filmmaker, mail artist, and conceptual artist. Part of the first generation of Polish conceptual artists, Ewa Partum paved the way for feminist performance and body art, testifying to the political activism of the former Eastern Europe. Affirming that “any act of thought is an act of art”, she focuses on the political economy of signs and the materialisation of language in her actions and installations in public space, as well as in her mail art or visual or “active” poetry.

In 1983, after finally obtaining her visa, she left Poland and moved to Berlin. In the early 1970s, after studies in Łódź and Warsaw, she founded the Adres gallery in her own apartment. The gallery remained active for five years and was dedicated to conceptual art, mail art, and theory. In the same period, she created her first installations and actions connected to poetry, in public space, or a natural environment: in The Legality of Space (1971), and Poem by Ewa (1971), the letters her poems form are cut out and thrown into the sea or the street.

Movies for Ewa Partum...

Being and Doing
Title: Being and Doing
Character: archive footage
Released: January 1, 1984
Type: Movie
About Performance Art and its historical origins including its links with folk customs. The film includes extracts from the work of many different performance artists from England and abroad collected from 1979 to 1983, amongst them: Tibor Hajas (Hungary), Rasa Todosijevic (Yugoslavia), Iain Robertson (Scotland), Zbigniew Warpechowski (Poland), Milan Knizak (Czechoslovakia), Natalia LL (Poland), Ewa Partum (Poland), Jan Mlcoch (Czechoslovakia), Sonia Knox (Northern Ireland), Jerzy Beres (Poland) and Stuart Brisley (England). The film also records the Haxey Hood and Padstow Hobbyhorse folk dances from Lincolnshire and Cornwall respectively.