Mohamed Bouamari
Born: January 1, 1941
Died: December 1, 2006
in Guidjel, Algérie
Died: December 1, 2006
in Guidjel, Algérie
Born in Guidjel, near Sétif in Algeria in 1941, Mohamed Bouamari (محمد بوعمري) is an Algerian actor and director.
Self-taught, in 1961 he received a scholarship from the UNEF to study film set careers in France. Returning to Algiers in 1965, he became an assistant to the filmmaker Mohamed Lakhdar-Hamina on "Le Vent des Aurès" in 1966, then to Costa Gavras on "Z" in 1969 and to Jean-Louis Bertucelli on "Remparts d'Argile" in 1969). Bouamari made his first feature film as director in 1972, with "Le Charbonnier", a film which was selected in several international festivals, including La Semaine de la Critique in Cannes, and which attracted attention.
In the wake of this first work which ranks him among the progressive filmmakers bringing to the screen the effects of the Algerian agrarian revolution, he then directed "L'Héritage" (1974), and continued the vein that would remain his own, that of a committed filmmaker, in search of a revolutionary national aesthetic, whose favorite themes are the war of independence, the denunciation of contemporary feudalism and the cause of the condition of Algerian women and his own wife, Fettouma Ousliha, will play the heroine of his films. The rest of his work, from “Premier Pas” (1974) to “Refus” (1982), will bear witness to these commitments. Mohamed Bouamari last appeared on screen in 2005, in Djamila Sahraoui's film, "Barakat".
He died of a heart attack on Friday December 1, 2006 in Algiers, at the age of 65 while he was finishing his fiction film "The Sheep".
Self-taught, in 1961 he received a scholarship from the UNEF to study film set careers in France. Returning to Algiers in 1965, he became an assistant to the filmmaker Mohamed Lakhdar-Hamina on "Le Vent des Aurès" in 1966, then to Costa Gavras on "Z" in 1969 and to Jean-Louis Bertucelli on "Remparts d'Argile" in 1969). Bouamari made his first feature film as director in 1972, with "Le Charbonnier", a film which was selected in several international festivals, including La Semaine de la Critique in Cannes, and which attracted attention.
In the wake of this first work which ranks him among the progressive filmmakers bringing to the screen the effects of the Algerian agrarian revolution, he then directed "L'Héritage" (1974), and continued the vein that would remain his own, that of a committed filmmaker, in search of a revolutionary national aesthetic, whose favorite themes are the war of independence, the denunciation of contemporary feudalism and the cause of the condition of Algerian women and his own wife, Fettouma Ousliha, will play the heroine of his films. The rest of his work, from “Premier Pas” (1974) to “Refus” (1982), will bear witness to these commitments. Mohamed Bouamari last appeared on screen in 2005, in Djamila Sahraoui's film, "Barakat".
He died of a heart attack on Friday December 1, 2006 in Algiers, at the age of 65 while he was finishing his fiction film "The Sheep".
Movies for Mohamed Bouamari...
Title: Le Passeur immobile
Character: Self
Released: December 14, 2021
Type: Movie
Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.
Title: The Citadel
Released: January 2, 1988
Type: Movie
In a small village in rural Algeria, the "village idiot" is madly in love with a married woman. His voyeurism and antics bring shame on his father, who guarantees that his son will be married that same day, or his four wives will be repudiated.
Title: The Empire of Dreams
Released: June 5, 1982
Type: Movie
A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…
Title: Cinématon XIII
Character: N°125
Released: November 8, 1981
Type: Movie
Reel 13 of Gérard Courant's on-going Cinematon series.
Winnie the Pooh Collector & Pooh-fanatic Offering Donated Pooh Collections a Place In History
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