In the not too distant future, a woman attempts to undergo a mind-altering procedure to erase her feelings of unhappiness and trauma.

With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.

Nine translators, hired to translate the eagerly awaited final book of a bestselling trilogy, are confined in a luxurious bunker.

Ostriches carry on their daily activities burying their heads, believing it’s an instinctive behavior. However, one day research by phylogeneticist Dr. Kays proves otherwise.

Screen adaptation of the memoires of Daniel Cordier, a member of the French Resistance and close friend of Resistance leader, Jean Moulin.

A true sports story that utterly defies the odds, Duguay’s film captures the wild ups and downs of the Olympics-bound career of legendary equine star Jappeloup and his troubled rider, locked in a tense relationship with his horseman father and forever uncertain of his own skills as an equestrian

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.