Enquiries into the murder of a young woman take the private investigator Peter Keller to the idyllic village of Schwant in Emmental. But, the more entangled Keller gets in the treads of the apparently clearcut case of sex murder, the more obvious the flaws in the village idyll become. Keller's quest turns into a deadly mission.

In the Second World War, spring 1944: shortly before the planned Ardennes offensive, Germans and Americans stand waiting on the German-Belgian border. The small Eifel village of Winterspelt threatens to become the scene of a bloody battle. A German officer comes up with a plan to hand over his battalion to the Americans without a fight. He finds support from three inhabitants of the small village, who help him to present his offer of surrender to the Americans, which they ultimately reject.

The lackluster and plodding Bolweiser has the (mis)fortune to be married to the town’s siren; his trusting nature leads him into serious trouble when she beds nearly every available guy.

1964 in Berlin, not long after the raise of the wall that separated the city: ex-prisoner Bruno is chosen by the eastern secret agency to be sent west with a special order. However as soon as he's crossed the border, he reports to the police. He claims his order was to kidnap someone, but he doesn't know who yet. He's forced to continue feignedly. However the east agents don't really trust him and play a double game...

The story of the young man Peter, who grew up during the economic miracle, bereft of parental care and love. Learning early on that interpersonal relationships are based on the principles of exchange or purchase, he abides by these rules and gives generous presents to his family and his wife Erika. But when he is unable to keep up this life-style, his story takes a horrendous turn ...

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.