A drama depicting a girl's suffering from prenatal radiation damage caused by the atomic bombing of Hiroshima.

Keiko is pretty and intelligent but her home life is not a happy one. Never having known a father's love, she develops a possessive attachment to Mr. Mazaki, the new mathematics teacher.

Sheriff Goro goes undercover to investigate drug smugglers.

Koharu, a young geisha, is in love with Kenichi, an apprentice carpenter to her father Masagoro. Their love life comes to a sudden halt after an argument between their two fathers. Can their love survive in spite of the bitterness between their two families?

Magistrate Ooka-Echizen faces a crime over a pillbox.

Woman private eye Emiko goes undercover to reveal the truth of a murder case.

Princess Kazu, the daughter of Shogun Ienari, is sent to marry Matsudaira Nobunao, master of Peacock castle in Kozuke province, a domain of 17,000 koku. When the procession carrying her sizable dowry was so large that it was expected to take 30 days to reach the castle the members of the clan were surprised to learn that it contained only her barest essentials! Would her presence create a problem too large for the clan to deal with? And having been trained by Lord Yagyu himself, will her martial skills ruin the marital plans set forth for the couple, or can she be tamed in time for the wedding?

Saotome, a sword master and guard of the Shogunate, pursues the mystery of a deadly aerial weapon that is responsible for the multiple deaths in town.

Sayuri, a young woman born to a simple life on a farm, moves to Tokyo to pursue a life long dream of becoming a singer. Through dance, music, and songs, this story shows how a girl raised on a farm was able to make her dream a reality, with the love of those around her.

A fox in disguise, Okon, returns the favor to a man who rescued her from a fatal trap.

The love between young college students Toki and the handsome Takaga is tested when Takaya's parents, who despise Toki's family's geisha house business, intervenes in their relationship.

Japanese mystery film.

Hashizo Okawa in the form of a courageous firefighter who confronts unscrupulous traders who make a profit even at the cost of human lives. A fireman exposes the corrupt activities of merchants.

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

An all-star cast highlights this Jidai-Geki classic. Set in the samurai era, this is the tale of period Yakuza. One of the real classics in this genre. In this dramatic portrayal of the real-life gambling boss Jirocho, a good-hearted and honest boss sets out to take revenge for a fellow boss. At the same time, the other local bosses, in a bid to increase their own power, plot to dispose of Jirocho. Starring Kataoka Chiezo in one of his signature roles, this is an excellent portrayal of a figure who is not well known outside of Japan. Co-starring Nakamura Kinnosuke, this exciting tale of period yakuza brings history to life.

Japanese drama film.

This 1956 adaptation of the novel with the same title puts more focus on the characters and their interactions than the previous version.

Newly graduated Miyamoto Otone is to inherit a fortune from a distant relative on the condition that she marries Takato Shunsaku, a man she has never heard of. The lawyers haven't located Shunsaku yet, allowing Otone to think about whether she accepts the conditions of the will. One month later after, Takato Shunsaku is found. Murdered. At the birthday party of Otone's uncle. With Shunsaku dead and thus making it impossible for Otone to marry him, the inheritence is to split amongst all (living) family members. And yes, as always, that means that the potential successors get killed off one by one. But Kosuke Kindaichi is on the trail...

This adaptation of a Hideji Hojo novel, about the historical uprising of the Kuroda clan in 1633, is told through the eyes of retainer, Daizen. As his clan’s new leader, Tadayuki, becomes increasingly militant in his opposition to the Tokugawa shogunate, Daizen is forced to reconcile his loyalty to the clan with his loyalty to Tadayuki, who seems dead set on entangling the clan in destructive conflict. The Kuroda Affair’s mise-en-scène is said to have influenced future Toei director Eiichi Kudo. The film also features two of the greatest stars of Japanese period cinema, Chiezo Kataoka and Ryutaro Otomo.

The eighth film in the "master detective with seven faces" series. Bannachi patrols the town in his taxi when he sees a man heading into Shiodome Town. Next day the man is found brutally murdered and the mystery starts to unravel.

Horror film about a killer dwarf.

At the Fugenji temple in Koishikawa, Edo, a memorial service for the 49th day after the passing of Kyogoku Takanori, the lord of the Tanba-Miyazu domain, was held. Despite being sons of Takanori, three brothers, who had different mothers, gathered, each having grown up in different circumstances.

Fifth delivery in the Tarao Bannai series, following the "master detective with seven faces" who uses his signature disguise to solve crimes with a double-barreled pistol.

The final film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.

The second film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.

The first film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.

Futari no hitomi (二人の瞳, Futari no hitomi, The Eyes of Two People) a.k.a. Girls Hand in Hand (USA title) is a 1952 black-and-white Japanese film directed by Shigeo Nakaki.

The story of Kiyoko, a young woman who has successfully managed to make a break with her dysfunctional family who have been trying to arrange a marriage for her with a disagreeable man whom she has rejected.

A family of Kyoto textile workers struggles after tragedy.

The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its cat fights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.

It was the first time in six years that I was able to step on the land of my homeland, the land of my nostalgia. It was Tokyo that had turned to burnt earth. A Tokyo with no one to rely on.

The mistress of a crook real estate broker comes to terms with her soulless existence after an artist paints her portrait.

Representing a destitute mother in an infanticide trial, a female lawyer attempts to convince a conservative prosecutor of the benefits of Japan's democratized post-war legal system.

A Japanese family weathers much hardship after their military uncle comes to live with them during WWII.

1945 Japanese movie

Japanese Warmovie

A family story in the year of 1943 during the war. The director is Shunkai Mizuho, who worked on "Hibari no Circus Sad Kobato" starring Hibari Misora after the war. Previously, there is only a 6-minute short version in the National Film Archive, therefore, the full version is this movie is very valuable. This is considered a masterpiece that depicts a happy family of 7 (a father, a mother, 3 sons and 2 daughters).They care about each other, and also trust each other. Father started to ask all the children "what do you want to be in the future?" since an early age. Boys said they want to go to college, they want to be painters, and when it comes to the girls, although they wanted to be generals, their answer was "become a bride, a wife, and a good mother." Brothers and sisters get along well and occasionally fight, but they all discuss the cause, and would apologize to each other. The story was so gentle that it is hard to believe it was during the war.

An older sister and brother (Mieko Takamine and Masayoshi Otsuka) come to visit their grandfather (Takeshi Sakamoto) who lives deep in the mountains. As for their parents, father was serving in the South Seas and mother died of illness on her way home. So, the brother, who is still young, will live alone with his grandfather whilst the sister goes away to study to become a teacher.

In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives the palace and lands from his clan, but does not punish Lord Kira. Lord Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the dishonor of their Lord. But their leader Kuranosuke Oishi asks the Shogun to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses his request and Oishi and forty-six ronin revenge their Lord.

A spirited young teacher challenges the conservative school employing her with liberal thinking and teaching methods.

A widow works as an insurance seller to raise her three children

1939 Japanese movie

Naomi Tazawa (Hiroko Kawasaki), who works at Isetan Department Store, was told by an executive at a film company (Ken Uehara), that he was going to make a film about her. She was scouted to become an actress, but she held strong. Around that time, her adoptive father dies, and at the time of his death, she learns that her real father was a man of high rank.

Two childhood friends go their own ways but meet again some years later after they have both married. They get re-acquainted, meet each others’ families, and all is well. Then the disagreements start...

A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.

Approaching their graduation ceremony, Saegusa, Sanae, and their classmates go on an overnight trip to Hakone with their teacher Ms. Kawahara, who will soon leave school. They thank her doing so and go on their respective paths, ending soon their student life.