The return of the series Saneha Stories from the real life stories of singles from the popular dating shows, Take Me Out Thailand and Take Guy Out Thailand. This season, stories will explore the theme of "love has no gender limit".

A love story between a human and a mermaid. This drama follows how a human Khun Naraen and the mermaid princess of the North ocean, Anda, fell in love, while Anda continue to stay away from the clutches of Sinthu, the mermaid king of the South ocean.

Katreeya is a young woman who has resentment over something that happened in the past and is waiting to take revenge on the male lead's family.

(Fang Dhanatorn) was a young beauty and the school goddess while (Nat Kitcharit) was a bullied young child. Both become each other's secret first loves, but after (Nat) had left to go to the United States, the once children took a turn of fates. (Nat Kitcharit) is now a qualified man in his 20s, while (Fang Danatorn) is now an ugly duckling. Once the two lovers meet again, (Fang) tries to hide her identity not wanting to lose her first love. She asks her friend to dupe as her. But concealing her identity as (Fang) only gets difficult, when she discovers that (Nat) is her new boss, and a co-worker starts falling for (Fang) herself.

In the past life, Sa-ang got her head chopped off by the royals (Kamon, Sothong, Sa-ard, Phutthai). She put a curse on them before getting her head cut off that in the next life, she will have the upper hand. She cursed her dad (Phutthai) to be broken hearted by her constantly, for her mom (Kamon) to prepare her clothing and die from her hands, for her sister (Sa-ard) to get everything taken away from her, and for Sothong to love her and only her in the next lifetime.

Sophit, the successor to the family's business printing company, continues to adhere to the ideology of newspaper media production. Even if he had to pick up a little print, he agreed to keep the printing company alive, and however, the print media still had to be there, and the operators who were waiting for it would be chaotic. Will the managers deal with this problem?

Kongpop's dad and Namnueng's dad used to be good friends. They even invested their own money in the pub business together. This business went too well and Kongpop's dad betrayed his own friend and stole the whole business for himself, 20 years go by and Kongpop's dad knew that he would die soon and because of his guilt from 20 years ago he gave Namnueng a large amount of money. When his dad died, Kongpop came back from the US for the funeral and found out about the will of his dad, he became very angry and wanted to get back at Namnueng. He makes her fall in love with him so that she will sign over all of the money to him. After she finds out Namnueng wants nothing to do with Kongpop, too bad he just realized that he was in love with her.

A lovelorn man overcomes the pain of splitting with his wife with a newfound love, only for his mother and brother to frustrate his happiness.

It sounds like the rehash version of William Shakespeare’s “The Taming of the Shrew” where the main girl must marry first before her younger sister can. It’s a romantic comedy. The same concept goes for Noon Woranuch and Vee Veeraphap’s upcoming lakorn “Sentai…Salai Soht (A deadline….to end being single)” for Ch7. Noon is playing a woman by the name of “Fah”, she has a younger sister who wants to get marry, but the main rule in their family is that Fah (being the eldest sister) must marry first before her younger sister can. Fah also has a pestering mother who badly wants her to get marry. Her mother even resorts to trickrey in order to do so, she lies to Fah that she dying and begged Fah to find a husband within 2 months. For the sake of her ‘ailing’ mother, Fah uses her talent as the head of the creative department in her company to find a husband. You can guess that Vee is playing the guy that Noon must snatch up to marry.

The year is 1974, and Barbara Dean (Judi Dench), a British assistant manager in a foreign bank in Saigon, begins a relationship with American Bob Chesneau (Frederic Forrest). She quickly realises that he works for the CIA and he knows that the fall of South Vietnam is very near.