In the centenary year since the founding of the Ballets Russe, this documentary looks back at Sergei Diaghilev and the company he created, what they did and the influence they had, even a 100 years later.

The perfect body as an object of cult worship. Based on the mass sports and body worship movement of the 1920s, the film propagates physical training and shows in stylized documentary scenes aspects of physical hygiene, gymnastics, sports and dancing as well as scenes in which supposed sportsmen of antiquity pose naked.

A woman leaves her husband to run a Paris boarding house, and reunites with her sister after the war.

The Torch Dance is filmed against an apparently improvised background of luxurious curtains suspended from a pole, which could indicate that the film was shot in a private house, though the companion film with Kosloff and Baldina appears to have been made on a theatre stage, with backdrops.

A newly discovered film showing Tamara Karsavina dancing Mikhail Fokine’s ‘La Danse du Flambeau’ (‘The Torch Dance’). This performance was filmed in 1909. Tamara Karsavina’s shoes are not reinforced at the tip like today’s pointe shoes; she may have had cotton or wool stuffed into the toes of her shoes. (https://nycdancestuff.wordpress.com/2013/08/01/tamara-karsavina-michel-fokines-la-danse-du-flambeau-1909/)