Italian police inspector Coliandro — an ignorant, boorish, but fundamentally kind-hearted oaf, whose entire worldview is informed by American cop movies — protects the good citizens of Bologna, routinely saving the day and foiling the plans of evildoers of all sorts by a combination of dumb luck and genuine bravery, while always falling hopelessly in love with the woman at the center of the case.

Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.