A generous and stubborn elderly boxing coach gets along with everyone except his own son. They're reunited after the death of the old man's wife and forced to face old grievances.

We cannot live only by our fears, because our greatest enemy in life will be ourselves, from which we will only be able to free ourselves by a trauma. We have to deal with our feelings and inner problems ourselves, we cannot suppress our anxiety after a while, we have to face them.

Gertrúd is a middle-aged music teacher. She lives with her art-restorer husband and their teenage son. She is weary of family life, and her relationship with her husband leaves much to be desired. Gertrúd’s settled world is turned upside down when a former student of hers, the beautiful Albán, suddenly shows up. Her presence prompts questions about the past, present, and future. Reality, memories and dreams intermingle dangerously, and the old family roles slowly begin to change. “I wanted this film to be like an enchanted box full of stories and surprises”, Péter Gothár explains. “Its drawers are meant to open in a mysterious rhythm, offering joy and food for thought. First, there was the music of Bartók, which then became the film's main organizing element. It formed around the music – this whole family story full of love and irony”.

Soma is a professional actor, he is willing to get his father's compliment. An unforeseen event changes their relation more empty. Soma is forced to do something. He can now only rely on himself, his confidence, and his ability to act skillfully.

After her husband is assassinated, housewife Nóra reluctantly has to take charge of the criminal business of her family.

The police hire a convicted bank robber to crack the Ministry of Interior's vault during the final days of the 1956 Hungarian Revolution. But what they find inside is quite different from what they were expecting.

19-year old Dani Papp lives with his father Tibor, a sex-obsessed and hedonistic gynecologist who pushes his young son to follow in his footsteps. Dani is his exact opposite, shy and romantic, looking for true love instead of sex. A trip to France to visit his musician uncle helps him to understand his own personality and his relationship to his father.

An Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.

An adaptation of the classic, "The Prince and the Pauper" is the retelling of Edward Tudor and young Thomas Canty, two amazing look-alikes caught up in imperial intrigue and scandal. In fleeing from his violent father, Tom stumbles into the palace courtyard, and is seen by young Prince Edward, who takes him in. Each desiring to see what the other's life is like, the boys impulsively switch identities... little knowing what disaster lies ahead at this fault of thought. And soon Thomas becomes a pawn in the hands of Edward's malicious and greedy uncle, who would have the kingdom for himself.

1958. In the cell of the condemned, seven men await the signs of an approaching execution. All of them recall their pasts and envision their wish-dreams.

The unskilled, jack-of-all-trades András and his wife, Éva are put in jail for serial work-place thefts, -committed in order to try to ensure a normal living standard for his family - and for aggravated assault committed for self-defence, respectively. Their two small children are put in state care, then given to foster parents. András, still in prison, commits everything to help the released Éva get hold of an apartment and get their children back so that when he will have served his term the family could be together again.

Divided into two different halves separated by mood and subject matter, this is an uneven drama about the experience of one Hungarian Jew before and during the fascist takeover of Budapest. The hero Pali (Zoltan Bezeredi) arrives back in Budapest from the U.S. and meanders among the intellectual and social elite before he leaves for a brief stay in England. There he has an even briefer affair with a happy-go-lucky aspiring actress (Anna Kubik), and after a few other encounters with movie mavens, he heads back to Budapest -- quite inexplicably. The rest of the film deteriorates into a dark realm of hatred and violence.