A response to World Catholic Youth Day and the Pope’s 2002 mass in Toronto, "save myself" is a personal meditation on faith and loss. Why does thought require words, and is anybody listening?

"Shinto" is an examination of the meaning of objects. Do objects have powers or energies of their own? If so, can we see or feel it? While this may sound heavy and philosophical, the film is actually a lively argument between two neurotic gay men who have been together for too long. As they discuss whether or not to rid themselves of some extra junk, we watch a memory film of one of the character's childhood toy trucks being burned, and a handful of Asian film clips, meant to parody the characters' ridiculous, half understood adoption of Asian philosophy and spirituality.

Freely drawing from a variety of film genres, including musicals, the sudsy melodramas and documentaries and combing them with a free-flowing narrative and bright pop-art sensibilities, this hard-hitting experimental romp from Canadian filmmaker John Greyson packs a political wallop while satirically comparing and contrasting the issues of censorship and circumcision. The tale centers on the exploits of three homosexuals named Peter. Peter Koosens is obsessed with the semi-scandalous behavior of Prime Minister Pierre Trudeau while college student Peter Cort, ponders the significance and necessity of male circumcision. Peter Denham is an artist who seduces the other two and freely borrows from their work to make something of his own. Their exploits land the trio in prison after an operatic number (the police sing songs adapted from Bizet's Carmen).