Live broadcast of the gala concert of the best Ostrava musical production... The festive concert is a reminder of the last 10 years of the Ostrava musical. In 2010, the originally operetta ensemble of the Moravian-Silesian National Theater became an operetta/musical ensemble, and it was the musical that gained a dominant position in its repertoire. The concert will present a cross-section of important titles that the musical scene had in its repertoire over the entire ten-year period. In a live broadcast, it will offer the audience unforgettable songs from the most famous musical productions performed by Hana Fialová, Martina Vlčková, Michaela Horká, Patricia Janečková, Tomáš Savka, Lukáš Vlček, Tomáš Novotný and others, directed by Gabriela Petráková and in an attractive set by scenographer Ondřej Zicha, using scenic elements from selected productions. For example, songs from the show West Side Story will be heard.

A group therapy session unites three scorned wives as they help one another destroy the lives and careers of their selfish, unfaithful husbands.

Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).

This production of Ostrava TV Studios was inspired by actual events which occurred in the Ostrava region of Moravia during the 1920s and 1930s. A hedonistic bon vivant of a lawyer named Zajícek (played by Václav Postránecký) came up with a sophisticated finance speculation scheme which exceeded the bounds of law. When discovered it became one of the most closely-followed First Republic scandals.

The sore and tender hearts of a young couple with a toddler are explored in this drama. The little girl, four years old, is not aware that she is doing anything distressing while she ambles about the house on the day after a post-examination celebration by her father, a university student. Even though hung over, he tries hard to be patient with her. The beginning of the story follows her on her little adventures. The girl comes down with a fever, which kills her before anything can be done, and the student and his photographer wife mourn and comfort one another. Little encounters with children cause the mother pain she is seldom free of, until she gives birth to their next child, a son.