In a Slavonian village, in 1960s, a rich man Marko offers Janja to marry his son Iva, which Janja sees as the perfect opportunity for her dreams to come true.

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

It is 1995. Mahir is a 38-year-old refugee from Bosnia, with unknown history, living in the hotel Pula, modified into a refugee centre. His days are monotonous and empty, and his history is unknown. A spark of life comes when Una, a young girl from Pula, is drawn to him. Until the past catches up with him.

Milena and Marko are visiting Marko's father on a remote mountain. Both Marko and Milena have their own agendas for the vacation: Marko wants to convince father that he should sell the mountain house, while Milena wants to advance their relationship. The couple plays nice in front of the father, and Milena soon realizes Marko isn't the man she fell in love with.

The plot of the series follows a family that, in part and forcibly, has to live under the same roof. Ana and Boris are a young married couple with whom, due to a combination of circumstances, her sister and her entire family suddenly move in, as well as her and Ana's father.

When four female colleagues receive an email death threat each, they are convinced the sender is a war criminal, whom they have exposed. But what if the threats come from within their own office at the Danish Center for Information on Genocide?

Six young friends decide that the 2015 spring equinox is a great reason to throw a party. Two of them will prepare the "venue", the other two will get the booze, and the last two will get the weed. And right before midnight, they'll meet at the party to welcome the arrival of spring. Or not, depending on how they handle the situations they find themselves in while trying to run their seemingly simple errands, in which we get to know Zagreb, its life and nightlife, and the characters get to know themselves and each other.

Luna and Luka live in their grandmother's house, which represents the whole universe to them. Any attempt to make a change is considered as the worst betrayal.

Croatia, seven years after bankruptcy. There is a fight going on in the world - water has become more precious than oil. In order to get hold of it, the powerful are ready to start wars, conquer, destroy, and even plant a zombie-virus. Mico, a bon viveur from Zagreb, whose daily routine includes massage parlours, restaurants and cinemas, where he watches a movie series featuring his favorite actress Franka Anic, is caught completely off guard by the zombie-epidemics. Nevertheless, he boldly embarks on an Odyssey accompanied by his movie heroine, with one highly unattainable, goal: to survive.

Two girls meeting at a porn audition, getting infatuated by one another and going through a journey in one day and one night followed by one dominant male figure, whose face we never see, but who plays as the force that separates them. It is a film about friendship and a metaphor for power and dominance that gets in the way of woman who could connect more strongly otherwise. Other than carrying that message, the movie has dark humor, a flashy and at moments uncomfortable atmosphere and a distinctive East European girl aesthetic.

ZG80 is a prequel of Metastaze. The movie brings back its characters to prewar Yugoslavia where they, as part of Bad Blue Boys, go on a football match in Belgrade to see Dinamo play against Crvena Zvezda. They encounter guest fans, their arch rivals Delije, in a series of events that lead to football fans war on the streets of Belgrade.

Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.

When his boyfriend suddenly leaves him without an explanation, Michel develops a fear of emotional attachment. He starts meeting other people, but every new pair of hands remind him of his ex.

Haunted by his dark past, a labourer in a small Croatian village has a series of fateful encounters over the course of a single night.

Through globalization, many countries have been opened and barriers removed to ensure easy trade, travel and cultural diversity. However, this openness has given opportunities to criminals looking to exploit the system and ultimately threaten our global safety. As Europe has become a "safe house" for criminals eluding law enforcers, a special kind of law enforcement team is needed to handle specific ongoing crimes on a global level. "Crossing Lines" is the story of one such team, made up of five international cops, headed by Captain Daniel. The team - comprised of individuals who have little in common - must learn to live and work under the most dangerous and potentially deadly conditions. Housed in an unused storage section underneath the ICC, this mismatched team faces bureaucratic, jurisdictional and cultural obstacles while traversing continents in pursuit of justice.

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