La Cittadella is a 1964 Italian miniseries based on A. J. Cronin's 1937 novel, The Citadel, and produced by Radiotelevisione Italiana. It was directed by Anton Giulio Majano and stars Alberto Lupo as Dr. Manson and Anna Maria Guarnieri as his wife, Christine. Other television versions include an American, another Italian, and two British adaptations.

Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for her, he comes of age. But, is there anything he can do that will alter Aida's situation or her prospects?

On his way to (or from) the Crusades, Robin Hood is shipwrecked but saved by pirates who plan to return him home in order to ransom him to his father.

A gorgeous housekeeper turns the tables on the men in a small Mediterranean coastal town by using their own vicious drinking game.

The construction of great temple dedicated to the goddess Aphrodite, followed by new and high taxes and the arrival of a plague, create discontent in the population, and threatens the love between a sculptor and a slave.

Maria, is a girl raised by the loving care of a poor couple but without knowing anything about her real parents. She is in love with Giorgio, a boy from a good family, who however has also aroused the interest of the intriguing Edvige who frequents bad company including jealous Roberto.

The love triangle between a Countess, a soldier and a younger woman.

The legendary John of the Black Bands begins a romantic relationship with a beautiful girl without revealing his identity. The girl unconsciously discovers the truth and retires to a convent. She thinks that John is guilty of the death of her family, and cannot continue to love him. He remains wounded in battle.

A traveling salesman is sent to prison after being accused of bigamy, while his wife and son are forced to consider leaving him permanently.

1760 Spain provides the setting for Giacomo Casanova's romantic escapades, every woman he encounters unable to resist his disarming charm, be they single, engaged, or even married.

Ersilia Drei, after a suicide attempt recounts her vicissitudes: hired as governess to the daughter of Consul Grotti she is wooed by Franco but soon after seduced by the very consul who drives her away after his daughter loses her life due to Ersilia's distraction. Because of economic difficulties she falls lower and lower until she meets Ludovico with whom she can perhaps hope for sincere love again. The consul's return, however, will lead her toward a tragic ending.

Giorgio with some friends rehearses a show of Neapolitan songs financed thanks to an elderly artist. Having come to quarrel with the landlady, Giorgio rented a room with a good woman who lives with her beautiful daughter Maria. Love soon arises between the two.

Garibaldi, after landing in Marsala, moves on to Naples. The liberals are overjoyed but the Bourbons are terrified. The so-called Baron Tucci, on a recommendation from England, arrives at the home of Count Sereni, a notable liberal. But he turns out not to be a patriot who has returned to Italy to take part in the fight but a degraded Bourbon official who has been promised rehabilitation if he can succeed as a spy. Tucci discovers old Sereni's second wife is one of his former lovers and persuades her to murder her husband so as to gain his inheritance. She does indeed cause the count to die, by withholding his heart medicine, but not before he destroys his will.

I figli non si vendono (literally, Children must not be sold) is a 1952 Italian melodrama film by Mario Bonnard

A taxi driver, with singing ambitions, finds an abandoned baby in his cab and begins to look for his mother. He doesn't find her but succeeds in finding two people who want to adopt the child.

Based on a Victor Hugo play, and scored with music from the later opera by Giuseppe Verdi, the film tells about a hunchbacked clown whose beautiful daughter falls in love with the lecherous king.

A comedy poking fun at earlier 1930s American crime films: A society lady goes after a gang of outlaws and lands up becoming involved romantically with a gangster.

In the center of Milan, Felicita Colombo successfully manages a delicatessen that has among its customers the best bourgeoisie of the city.

Based on fact, Passaporto Rosso (Red Passport) details the plight of a group of poor Italian immigrants who are hired as railroad workers in turn-of-the-century South America. In addition to facing poverty, deprivation, and prejudice, the immigrants are also bedeviled by a raging fever epidemic. Finally achieving a measure of prosperity, the Italians are forced to confront tragedy once more when their grown children march off to WWI. Though Isa Miranda is top-billed, she has very little to do in comparison with male lead Filippo Scelso. Passaporto Rosso was released in the U.S. as Destiny Unknown.