Live concert by West-German electronic musician and composer Klaus Schulze and the Australian singer Lisa Gerrard. Klaus Schulze is one of the few West-German musicians who is allowed to go on a celebrated tour in Poland 1983, largely due to the instrumental nature of his music, and he was later asked to return and play at the 70th anniversary of the Soviet Assault on Poland September on September 17, 2009 in Warsaw in the courtyard of the Royal Palace. Together with Lisa Gerrard, acclaimed exceptional artist and singer of Dead Can Dance, Klaus Schulze delivered an intensive performance in impressing scenery. The second DVD contains, a full length documentary and encore performances.

Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

Klaus Schulze and Australian singer Lisa Gerrard (formerly of Dead Can Dance) work well together on Rheingold: Live at the Loreley. Gerrard doesn't appear on all of this release's moody, hypnotic material, but when she is featured, her performances add a lot to this two-DVD set -- which is a live album more than anything. All of DVD one is devoted to a July 18, 2008 concert in St. Goarshausen, Germany, while DVD two contains the 65-minute documentary "The Real World of Klaus Schulze" and a 55-minute interview (the interviewer is singer/guitarist Steven Wilson, a member of the British progressive rock band Porcupine Tree). The concert in St. Goarshausen is Rheingold's main attraction -- and Schulze is in very good form on the songs that feature Gerrard (the 14-minute "Wellgunde" and the 39-minute "Loreley") as well as the instrumentals that don't ("Nothung," "Wotan," and the 24-minute opener "Alberich").