Hope is a silent 1922 drama.

The "true story" of baseball great Babe Ruth; Ruth plays himself.

Ruth Minchin is unhappily married to her father's former business partner, a drunken brute. She contracts a friendship for Severino, a pianist, who lives in the same apartment house, and Minchin, discovering them together, orders the pianist from the room and knocks his wife down. Severino kills Minchin in a delirium following pneumonia, and Ruth is suspected of the crime.

Two peasant children, Mytyl and Tyltyl, are led by Berylune, a fairy, to search for the Blue Bird of Happiness. Berylune gives Tyltyl a cap with a diamond setting, and when Tyltyl turns the diamond, the children become aware of and conversant with the souls of a Dog and Cat, as well as of Fire, Water, Bread, Light, and other presumably inanimate things. The troupe thus sets off to find the elusive Blue Bird of Happiness.

When Tourneur adapted the allegorical plays The Blue Bird by Belgian symbolist Maurice Maeterlinck and Prunella by British playwrights Harley Granville Barker and Lawrence Housman in 1918, they had been successfully staged for many years, opening in Moscow and on Broadway and everywhere. Today, the saccharine charm of these anti-modern fairy tales doesn’t work any more. But undistracted by the meaning or action of the film, we can enjoy the surface of Prunella all the better, the dazzling sets and costumes, silhouettes and painted backdrops created by the great art director Ben Carré in a fashionable Art Déco Neo-Rococo style.