Financial crisis enters the households of a provincial town and people start to lose their jobs. Two adolescent brothers rebel against their father, a factory foreman, who becomes a scapegoat for the frustrated community.

Slovak musicologist Agata Schindlerová, now settled in Dresden, has spent years mapping out the forgotten destinies of Jewish musicians whose lives were irrevocably marked by the advance of nazism. Scenes from the lives of several of them are portrayed in the film In Silence (ballet dancer Alice Flachová, pianist and conductor Karol Ebert, composer, conductor and director of the Dresden Theatre Arthur Chitz, pianist Edith Kraus, and the vocal ensemble Comedian Harmonists), which draws a sharp contrast between the protagonists’ carefree existence working and making music during the pre-war era and the subsequent severe upheaval in their lives brought on by the proliferation of nazism.

The film tells about a small museum, where the economic boom has not yet arrived. It appears as if time has stopped in this national museum, a museum which should serve as a show window for Slovakia. Stuffed animals are covered with dust and the three employees working as caretakers of the huge building look like the museum exhibits themselves.