"Corpus delicti": object that materially proves the existence of a criminal offense, a crime. Filmmaker Léolo reverses the perspective and asks in this docufiction what society does with the bodies of those who break the rules and resist power. The film successively gives a voice to the mutilated victims of police brutality and to a young fictional gay activist, carried by both his love and his devotion, but crushed by the legal system and prison. The film asks essential and necessary questions about the difficult intersection of art and politics, expression and action, justice and violence.

A Parisian couple decides to sell an unsanitary basement in their building. A very ordinary, nondescript man, Mr. Fonzic, shows up to buy it. Nothing unusual there, until the man moves into the cellar and makes it his permanent residence. The couple tries desperately to cancel the sale but to no avail. Worse, Mr. Fonzic becomes a threat to their family as he befriends their teenage daughter on whom he seems to exert a perverted influence.

Paris, sum­mer 2020. Actors from “la Comédie-Française”, France’s most pres­ti­gious the­ater, rehearse Christophe Hon­oré’s new play, an adap­ta­tion of Mar­cel Proust’s “The Guer­mantes Way”. When the show is sud­den­ly can­celed, the dra­ma group decides to go ahead with it any­way, in the name of art and for the joy of act­ing together.

Well known for its exploration of seduction and revenge, the “Dangerous Liaisons” by Choderlos de Laclos caused a scandal from its first publication in 1782. Despite – or because of the scandal – the book was a top-seller. Since then, it stood the test of time. Combining eras, continents and people, the novel is adapted around the world. Marvelous tool for reflection on the female condition, social satire announcing the Revolution, remarkable work on the conflicting nature of love but also of the gender war, consecration of the power of the words, a libertine manual… “Dangerous Liaisons” is all of these at once.

Paris, 1942. In the middle of the Occupation, Victor Gence, an unscrupulous merchant, buys, at vastly low prices, artworks belonging to Jewish collectors. Informed by a concierge, he manages to enter the apartment of Mr. Klein who apparently has a fabulous collection.

Alceste loves Célimène, a flirtatious woman from the Parisian high society. He loathes this world for its hypocritical etiquette but, shaken by a public trial he is called to by this social circle, he must visit Célimène to ask for her help…

Samuel goes to Nice to pass the exam of the School of Fine Arts. He is accompanied by Nordine, uncultivated in art who takes some holidays.