Through thirteen images and an equal number of stories, little Melina-Amalia, the teenager, the woman, the fighter, Blanche, Stella, Ilya, Phaedra, Medea, Clytemnestra, Minister of Culture, the stoic Melina in Memorial Hospital, all aspects of the "last Greek goddess". Shot on the stage of the National Theater Rex - Marika Kotopouli, it captures, balancing between theater and cinema, important historical events that make the myth that surrounds the glamorous protagonist even more powerful and charming.

When a young girl's father suddenly disappears, her weirdo neighbor - an eccentric supermarket cashier - is forced to take care of her.

Every time a daughter was born, the father of Eleni, Asimina and Froso planted a poplar tree at the edge of their orchard to commemorate the arrival of the new child. As they grew and grew tall and slender, he boasted of them as his daughters. In the proudest poplar, however, Helen's poplar, a swarm of wild bees had already nested. "You will be happy, my daughter, and life will be as sweet as this honey. You'll see," her father used to tell her. But, the years passed and Eleni looked at the poplar and listened to the hum... "How do you know, father... How do you know that life has written only bitterness for my root".

Summer at Cyprus seems at first like a gift for Alexandra (Maria Kitsou) and Orestes (Hristodoulos Martas), who travel from Athens to spend the season with Orestes' parents at their seaside residence. However, they soon become enveloped in the turbulence of local politics between Greeks and Turks after getting involved with a family production of a Euripides play.