Reflections on my 1966 trip to Avignon that helped me to survive a deep crisis I was going through. Texts from my diaries of that period on the soundtrack are read by Angus MacLise.

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

An epic portrait of the New York avant-garde art scene of the 60s.

At the court of the Yellow Emperor, the Majoon Traveler & Lady Firefly appear in the Hall of Unconscious Magnetism.

The story of Joan of Arc as applied to the present revolution in arts and more. The Gothic is applied to the War in Vietnam. The film is experimental in the sense that in it the visual becomes tactile.

Exploding Plastic Inevitable was a series of multimedia events organised by Andy Warhol between 1966 and 1967, featuring musical performances by The Velvet Underground and Nico, screenings of Warhol's films, and dancing and performances by regulars of Warhol's Factory. It is also the title of a 18-minute film by Ronald Nameth filmed during one week of the show in Chicago, Illinois in 1966.

Part of the Dirt Trilogy

Two nuns take a bath, then meet a sailor on the Staten Island Ferry.

Where a nun and a nurse go to hell because of their sinful life in St. Vincent's Hospital.

This compilation of Gerard Malanga's short films consists of a collection of extremely rare footage and film portraits providing candid and interesting glimpses of Bob Dylan, Salvador Dalí, Jane Fonda and The Velvet Underground among other 1960s icons and featuring original music by Angus MacLise, who was the first drummer to perform with The Velvet Underground.

A documentary on the beginnings of the cultural revolution on the Lower East Side, New York.

The feature length Normal Love is Jack Smith’s follow up to his now legendary film Flaming Creatures. This vivid, full-color homage to B-movies is a dizzying display of camp that clearly affirms Smith’s role as the driving force behind underground cinema and performance art of the post-war era. The cast includes Mario Montez, Diane de Prima, Tiny Tim, Francis Francine, Beverley Grant and John Vaccaro. Smith was known to constantly re-edit the film, often during screenings as it was still unspooling from the projector.