Victoria, a former operative, is getting used to a normal life with her beloved husband, a psychologist. But after being attacked by a criminal in the service, she cannot have children. The couple decide to take six-year-old Dasha, whose parents died in a fire, to their place for the weekend. And then strange events begin to happen in their country house. The girl behaves secretly and sometimes aggressively, draws scary pictures and spoils toys. In her drawings, Vika guesses the victims of that same criminal, now she is absolutely sure: the villain is alive, and he is somewhere nearby.

Kira is a 30-year-old successful architect living in the illusion of absolute choices while being obsessed with constructing the ideal Moscow. She is used to living life according to her own rules, but she has to face her fear of the future and inability to love. An unexpected tragedy will lead Kira to face her past with her family, start life from the scratch, and become a mother.

Grandpa Slava is the oldest of the Midland vampire family. They live quietly. They live by the law. They live the unremarkable life of an ordinary Russian family and they never kill humans – ever. Although, of course, everyone knows they drink blood. And when some lifeless corpses are found in a birch grove near Smolensk... their peaceful life falls under threat.

Many years after a deadly terrorist siege in a Moscow theatre, survivor Natalya returns to the crime scene to hold a memorial evening, finally able to confront her survivor's guilt and her estranged daughter and husband.

New film by Sasha Potapova

Sasha, a singer at a musical theatre, persuades his friend Kulik to take him to a remote sacred place for fishing. Soon they find out that wood spirits live here. Kulik warns Sasha to ask them of nothing and not to fool the evil spirit, but he breaks the taboo — and now the spirits demand blood payment. Kulik faces a difficult choice: to leave Sasha in the forest and escape, or pull him out and pay with his life.

Lyudmila is a successful realtor in the capital. Pictures from the past pop up in her memory, and the viewer learns at what cost a single mother from the province managed to cherish Moscow's well-being. Lyudmila's story is typical, it reflects, like in a mirror, the pain points of modern life, forcing us to make our hourly choices. Is it worth a deal with the conscience of material comfort? Is it possible to achieve success in a megalopolis today and remain an honest person? Won't a "bright future" built on betrayal of one's own ideals lead to the decline of genuine human values?

An Orthodox priest, Father Nikolay, the brother of a Yakuza boss, is drawn into in a mob war in Japan. He escapes to the small Russian village of Glubokoe, where he finds that war has found him again.

A chronicle of the life of an illiterate Russian peasant woman between 1909 and 1921, focusing on her private life and major historic events in the country.

A mining town in Russia at the end of the nineties. A miners' strike has paralysed the place, corruption and fraud are flourishing in the transitional period from a socialist economy to a market economy. In this world of lost souls lives Yekaterina Artemovna (Katya). This unconspicuous woman has, in the words of her future lover, a "heart of gold". The only bright spots in her lonely life in a meagre communal apartment are literature and her work in the town library. The only bright ray flashed in the life of the heroine is a visiting sailor. But he turns out to be a gigolo and leaves the poor woman. The tense string inside the heroine bursts, the iron nerves lose, and restrained Yekaterina at this point loses all patience with life and ready for the most desperate and cruel revenge...

In this sequel of Lovey-Dovey Andrey and Marina are exchanging bodies again - but this time with their children.

Sex, alcohol and violence define the people of a city in defeat in this downbeat drama from writer and director Katya Shagalova. As a teenager, Nastia (Yulia Peresild) was the star of a popular television series, but now her career is in decline and her father, an officer in the Russian army, has kicked her out of the house.

Plucked from an orphanage as a literal love slave, the now adult Natalija (a luminous Kseniya Kutepova) serves her ape-like husband by tending his prized cow—whose milk they sell to customers on passing trains. When hubby suddenly drops dead, however, Natalija’s narrow life of cows and rails finally starts opening up. Dumping his body at the local hospital, dropping by church to say a few prayers and trading in the cow for a pet goat, she slowly eliminates all trace of his former hold on her, searching out a new life in the freedom that emerges.

A provincial war vet arrives in Moscow and subsequently takes on a gang of bad cops.