The Good Old Days was a popular BBC television light entertainment programme which ran from 1953 to 1983.It was performed at the Leeds City Varieties and recreated an authentic atmosphere of the Victorian–Edwardian music hall with songs and sketches of the era performed by present-day performers in the style of the original artistes.The audience dressed in period costume and joined in the singing, especially "Down at the Old Bull and Bush" which closed the show.

Two of a Kind is a Hong Kong Romance-Comedy starring Tony Leung Chiu-Wai

The frugal and harsh father, CHENG SAM, and the open-minded and generous mother, LEUNG HANG MUI, are a lively couple in the family. Other family members include their lazy and rude son, YUEN YUK PO; their optimistic and irresponsible daughter, YUEN YUET CHU; their defiant and domineering daughter-in-law, HO SHUK KIANG, and their honest and confident son-in-law, YEUNG JO GAI. Their granddaughter, MUN HEI, is a free-spirited girl while their grandson, MUN CHOI, is a cunning and opportunistic businessman. The family's fortunes are tied to their partners, CHU CHI WAH and CHAN WING MAN. Together, they form a tapestry of modern urban life.

On a stormy night, twin brothers are adopted by the Fat and Thin Kam Lan sisters and separated. Thirty years later, the elder brother, Cheung Yan, inherits his father's business and becomes the lord of Wutian Island, enjoying wealth and power. Influenced by customs, he develops a male-dominant personality. On his wedding day, he takes four wives, with the main wife, Yu Ruyu, being obedient and favored by everyone, just as her mother, Lin Xianghua, taught her. On her deathbed, Cheung Yan's mother reveals the truth, and he learns that he is separated from his twin brother, Mou Gin Shu. Surprised and delighted, he sends his trusted friend Charles to find him. It turns out that Shu is in Hong Kong and has a family, running a small shoe shop with his friend Chan King Chuen. Shu's wife, Au Ka-Lai, is dominant and career-driven, while Shu himself is a typical "henpecked husband" who willingly submits to his wife's control...

In the 1980s, Zhang Yaocuo's handbag factory faces closure. His friend Chen Rongchang becomes a worker representative, causing tensions with Zhang's father. They decide to start a factory in their hometown. Zhang falls in love with worker Li Tong, but their business fails, and they return to Hong Kong. They face financial troubles and Zhang's father is imprisoned. They establish a new factory in Shenzhen, growing both their business and their relationship. Zhang meets Yao Zhaoran, and Li Tong silently endures his affair. After the factory closes, Rongchang marries Zhang's sister, and starts an affair with his secretary. Zhang Meihua discovers the truth and divorces Rongchang.

Renowned restaurant owner Zhang Guan has an affair with dancer Zhu Fenghuang. His brother Zhang Yi replaces him as Zhu's lover. Their fake relationship becomes real, causing a rift. Meanwhile, Zhang Guan's son and brother compete for Mei Jingjing's love. Zhang Jiashu schemes to remove Zhang Yi and Zhang Jiale from the family restaurant. They open their own eatery, which thrives. Eventually, they reconcile and save "Guanyue Village," finding redemption as the "Ah Er" family.

This show follows a middle-class family of five, each with their own distinct personality. In the context of their comfortable daily lives, they experience countless lighthearted and amusing scenarios. The father is a typical "macho man", while the mother works hard behind the scenes to raise their two sons. The eldest son is a middle manager who often plays the "peacemaker" role in his career, family and relationships, due to his fear of confrontation. His wife is a strong-willed insurance broker who cares deeply for her husband, but can also be overbearing at times. The youngest son is a capable young man who is lost when it comes to love. The show also features the family's neighbors, friends, and colleagues, each with their own distinct personality, and their interactions and relationships produce many heartwarming stories.

Set in a time of explosive change, new things and fashion are endless. "Everybody's Somebody's Favourite" portrays the stories of three families, reflecting the "grassroots", "middle-class", and "wealthy" classes. The head of the "grassroots" family, Yang Wenzheng, is conservative and timid, while his wife Yin Yuping is a new-era housewife. The series depicts different aspects of society and its unique phenomena through a light and humorous touch.

This story happens in Shanghai in the 1930s. It is about 3 brothers who go through a lot of hardship.

Yam, Sunny and Ah Hing are buddies and all dismissed creating havoc in their jobs. The trio is employed by a noodle factory, which has a very poor labor relationship. The manager, supervisor and foreman are always picking on their subordinates. Finally the workers decide to take an united front to oppose their superiors.

shaw production

shaw production

The Radio Tycoon is a TVB television series, premiered in Hong Kong in 1983.

This sitcom series premiered in 1981 and changed its name every year, from "Hong Kong 81" to "Hong Kong 86." It was eventually replaced by a new sitcom called "City Stories." A total of 1330 episodes were produced, making it the second-longest-running series in Hong Kong, after "Come Home Love: Lo and Behold". Each episode of this series is inspired by current social issues, with early storylines often satirizing society's flaws. The characters, such as "Chen Ji," "Mrs. Shun," "Uncle Mao," "Jue Wu Yin," "Miss Su," "A Wei," and "Ah Kang," mostly hail from the grassroots, leaving a lasting impression on the audience. For example, "Mrs. Shun," portrayed by Lydia Shum, later became a term to describe uneducated women who follow trends blindly. "Chen Ji," played by Lawrence Ng, is a stockbroker who loves to show off his wealth, and his behavior typified that of many Hong Kongers, becoming a byword for the city's nouveau riche.

The Bund III is a Hong Kong period drama television series broadcast on TVB in 1980. The series is a direct sequel to The Bund and The Bund II, which were both released earlier in the same year.

Five Easy Pieces is a TVB television series, premiered on 4 August 1980. Theme song "Five Easy Pieces" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Adam Cheng.

Blocks A to D of the building are four neighbors, and they have a harmonious relationship with each other, bringing laughter from time to time. At the beginning of the story, Fung (Liao On Lai) went to Cheung (Kwan Hoi...

The Brothers is a 1979 Hong Kong film produced by the Shaw Brothers Studio. Starring Tony Liu, Guk Fung, Danny Lee Sau-Yin, Chau Li Chuan. Directed by Hua Shan.

Conflict is a TVB television series, premiered on October 2, 1978. Theme song "Conflict" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Jenny Tseng.

Hong Kong crime movie from 1978

A House Is Not a Home is a TVB television series, premiered on 1 August 1977. It is a very successful classic series boasting the likes of stars Liza Wang, Simon Yam, Ha Yu and also veteran actors like Bak Man-biu, Tang Pik-wan and Lee Heung-kam. The show became a 1970s drama classic, well-known also for its theme song, "A House Is Not a Home"; 家變, which was composed and arranged by Joseph Koo, with lyrics by the late Wong Jim and sung by Roman Tam.

《民間傳奇》adapted dozens of famous Chinese folk tales, dramas, and myth legends, such as "The Butterfly Lovers" and "Chang'e Flying to the Moon". These stories show the joys and sorrows of ancient Chinese people, and celebrate the righteous and kind while condemning evil. The endings are not always perfect, but justice eventually prevails and evil-doers get what they deserve. The show is a classic in Chinese TV history, often broadcasted during holidays, and remains unsurpassed to this day.

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

Set during a period of depression, the film chronicles the daily lives of a single urban building split up into several separate units, and the actual people that dwell within.

Rich heir Tommy Wu has a circle of friends at university: Chow Hoi-kit and Kong Fan who both come from a poor background, Wong Ying whom Chow secretly admires, and Mary who goes out with Kong over the protests of her rich father. Tommy hangs out with the gangster Ah Kam, gambling and dancing days and nights away.

One stormy night, a poor music student (Patrick Tse) meets a famous dancer (Josephine Siao). In one night, he composes for her the musical of her dreams: A Purple Stormy Night. The management of her dance company is divided on the musical, but the dancer manages to dispel all their doubts and the musical becomes a great success. The student and the dancer fall in love, but there is a shadow side to happiness: corrupted by success, the next musical they make is superficial. "Purple Night" shows the dangerous influence commerce can have on artistic integrity and is also about themes such as love and friendship, the relationship between art and life and the conflict between rich and poor.

Hong Kong ghost story.

Connie Chan Po-chu's character's father was killed by the triads, leaving behind two daughters. The elder sister makes a living as a singer at a nightclub, and is sometimes threatened by triad members. The younger sister (Connie Chan Po-chu), who knows karate, becomes an assassin who punishes villains.

HK horror film.

Continuing from the first Jane Bond film, Black Rose (1965), Mei-yu and Mei-yu infiltrate the underground group of Golden Yanluo (Chinese: Judge of the Underworld) to save Man-fu and Nanny back.

'Agent Number Two' Lee Kwok-wai of the resistance troops Red Rattlesnake sets off for Guangzhou to assist Agent Number One in rescuing their comrade Pang Yau-lan from the puppet army. Lee approaches his former lover Lam Ying-tsi, the mistress and trusted aide of the puppet commander Wong Tai-wai, who has fallen prey to the lip service of the beautiful and smart songstress Pak Lai. Following the vandalism of the arsenal, Pak is quick to point the finger of blame at a spy at work. Lam combs their home for clues and finds Lee's recording devices. Furnishing Lee with misleading information, Lam has Lee and associates arrested. Pak appears to their rescue, revealing herself as Agent Number One. The dauntless spy sabotages the enemy's ammunition and communication network, captures the commander before joining her comrades to celebrate a successful withdrawal. (Synopsis based on audiovisual materials)

Yuen is a reformed criminal who rescues Mei from an attempted assault on a boat and then marries her. A year later, Big brother (Sek Kin) comes looking for Yuen to return to his criminal past. Yuen refuses and chooses the straight path. Big brother doesn’t like this, so he stages a gambling den robbery and frames Yuen.

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

Dirt-poor painter But Ka-sing lives under the same roof with Tang Chan-sin and Lee Tai-hak. Smitten with Tse Mei-chen, the penniless suitor resorts to staging a suicide and makes a fortune of his paintings which are sold at sky-high prices after his feigned death. Reinventing himself as a doctor, But competes with the rich heir Fung Chak-chak to win Tse's heart with an avalanche of gifts and money. However, Tse rejects the suit of the philistine. But gives up his windfall and tells the truth at his memorial exhibition. Thrilled, Tse pledges her love and marries the painter, for better and for worse.

HK horror film.

HK horror film.

The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.

Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.

Hong Kong thriller.

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

HK drama film.

Ngok Ming is an idealistic young man, passionate about promoting and developing education in Malaya. He approaches a wealthy Chinese businessman to raise funds for building schools and meets the young heiress, Cho-lin. After a whirlwind romance, they get married. However, Ngok Ming struggles to balance his passion for education and performing his duty of managing the family business. As conflicts between the characters escalate, Ngok Ming and Cho-lin make decisions that change their lives forever.

Ah-gau (Keung Chung-ping) leaves his wife Sou Jing, and son in Macau for Nanyang to join his cousin (Patrick Tse Yin) in search of employment. A series of events propel Ah-gau into high society and he falls in love with a tycoon’s daughter, Ming-zyu, (Patsy Kar Ling). Abandoned by Ah-gau, Sou Jing suffers in utter poverty and journeys to Singapore in search of her husband.

Comedy from Hong Kong directed by Ng Wui.

Chan Siu-hung is forced to become a prostitute, with the police following hot on her heels. Ching Chi-ko comes to her defence by claiming to be her husband. Chan is put up at Ching's roof hut named the 'Seventh Heaven' and the two gradually fall in love. Soon the war breaks out. Ching is drafted to do hard labour by the Japanese army. When the war is over, the crippled Ching returns and lies to Chan that he is already a married man, hoping to persvade Chan to marry someone else. Nonetheless, Chan's devotion overwhelms Ching.

Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.