A nightclub waiter and a manicurist share the same room, he sleeps there by night and she by day. They've never meet , but they can't stand each other. Then they meet by chance, not knowing who's who and fall in love.

"Der Herr auf Bestellung" has the Weimar dream team of Walter Reisch as scriptwriter, Geza von Bolvary as director and most importantly, the incomparable Willi Forst as main actor. This 'musical burlesque' tells about a stylish young gentleman (Willi Forst) who works as a so-called 'Festredner'; an untranslatable term, it indicates a person who makes speeches at important events like marriages etc. for people who don't feel able to do it themselves. Willi lends his voice to a speech-impaired professor (Paul Hörbiger), but the baroness (Trude Lieske) who falls in love with Hörbiger only does so because of Willi's voice, and you can guess that this leads to all sorts of complications…

Film in the style of a magazine. Various topics, e.g. reading from the book "Ich lasse Dich nicht"; explanation of how a telephone conversation between Berlin and New York works; making a martini; sports teacher Siegfried Dietrich on gymnastic exercises; a sketch; a pop song; revue girls. Maria Ney hosts the program.

A musical-comedy directed by Carl Boese

One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.