In this pilot film to the subsequent short-lived series, three attractive young women -- Marcy Bower, Pam Bellagio, and Lisa Benton -- succeed in qualifying for airline stewardess training at Sun West Airlines, and then start getting a taste of the rigors and fun of the real thing as rookie stewardesses.

Clifton Curtis has got it made—he runs a successful business he inherited from his late father and he's lucky with the the ladies—but he still lives with his Mama. She rules the roost and dispenses advice to everyone who'll listen—no one at Oscar's Barbershop is spared from Mama's wisdom. And they wouldn't have it any other way.

Down-on-their-luck racers Larry and Deke steal from a supermarket manager to buy a car that will help them advance their racing chances. Their escape does not go as planned when Larry's one-night stand, Mary, tags along for the ride.

A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to some very strange goings-on.

A federal agent whose daughter dies of a heroin overdose is determined to destroy the drug ring that supplied her. He recruits various people whose lives have been torn apart by the drug trade and trains them. Then they all leave for France to track down and destroy the ring.

Adam-12 is a television police drama that followed two police officers of the Los Angeles Police Department, Pete Malloy and Jim Reed, as they patrolled the streets of Los Angeles in their patrol unit, 1-Adam-12.

Julia is an American sitcom notable for being one of the first weekly series to depict an African American woman in a non-stereotypical role. Previous television series featured African American lead characters, but the characters were usually servants. The show stars actress and singer Diahann Carroll, and ran for 86 episodes on NBC from September 17, 1968 to March 23, 1971. The series was produced by Savannah Productions, Inc., Hanncar Productions, Inc., and 20th Century-Fox Television. During pre-production, the proposed series title was Mama's Man. The series was also unique in that it was among the few situation comedies in the late 1960s that did not use a laugh track; however, 20th Century-Fox Television added them when the series was reissued for syndication and cable rebroadcasts in the late 1980s.