Sunday is the only day off that house maids use to date the young men who cross their paths: doormen, soldiers, sailors, timid virgins and lurid husbands, or even a doctor.

Brigitte Bardot stars in this romantic thriller about love and high treason in WWI-era Italy. Matinee idol-turned-filmmaker Mario Bonnard directs this opus.

Carlo, a young doctor, occasionally meets Anna, the daughter of professor Valli. Carlo falls in love with Anna, who returns his feelings; but her father longs a brilliant marriage for her.

I figli non si vendono (literally, Children must not be sold) is a 1952 Italian melodrama film by Mario Bonnard

Piero is the leader of a group of university students who lead a carefree life. Finding himself in trouble and in need of money, he turns to criminal means—receiving aid from Daniela, the daughter of a rigid magistrate.

Greedy Baron Antonio Peletti refuses to give to his town the heredity left by his father, a box full of precious jewels, which he keeps for himself. The major and the rest of the townspeople therefore organize a trick at his expense: they'll make him believe he is dead, and, in a fake "afterlife", they'll try to convince him to finally show them where the money is hidden to save his soul.

A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.

Lieutenant Mario Ludovici, an army officer, gets himself transferred to a Libyan post when his romance with society girl Cristiana goes on the rocks. Ludovici is looked upon as a weakling by Captain Santelia, the hard-boiled commander of the troops, but after a bitter campaign against a rebel tribe Ludovici proves his true worth and returns as commander when Santelia is mortally wounded. Cristiana arrives and tries to entice him to return to Rome, but he decides to stay in Africa with the army.