A struggling black actor's pursuit of a role spirals into a psychological descent, blurring the lines between his identity and the villain he portrays.

Oona, a recent graduate in anthropology, has returned to her dead mother’s seaside cottage in southern England to prepare it for sale. Her arrival disturbs Mani, a wary vagrant who has been squatting on the property.

Two city-boy brothers, one a charismatic optimist, the other a whining corporate sell-out, return to the countryside for their father's funeral. On checking out his decrepit estate the boys find one of their dad's ancient friends hiding in a closet with a bag full money. Whilst they decide what to do the pensioner is left to suffocate in the closet, leaving them with a much bigger problem to deal with; tell the police, or leave the body in his own home and pretend nothing happened (keeping the money in the process). This opens their world up to a series of bizarre incidents resulting in the village's quirky population gently decreasing during their short stay.

The adventures of the eponymous Lovejoy, a likeable but roguish antiques dealer based in East Anglia. Within the trade, he has a reputation as a “divvie”, a person with an almost supernatural powers for recognising exceptional items as well as distinguishing genuine antique from clever fakes or forgeries.