A cop turns fugitive when he is framed for the murder of a keywitness in a weapons smuggling investigation. On the run the cop befriends a psychic who helps him to capture the real killer.

Sullen insurance agent Maggie Cheung reluctantly rescues a triad goon suffering from hatchet wounds (Roy Cheung), and thus begins their slow-burn romance.

An unscrupulous lawyer with an equally eccentric kung-fu sidekick wife tries to bring justice to the court.

A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.

Interior designer Dodo and lawyer Michael have been in love for years with no plans of marriage. Because of the intervention by the colleagues, Dodo resigns in anger and leaves for New York with Michael. She is heart-broken to catch Michael in a passionate scene with her close friend at the airport. After that, Dodo gets stuck with her first assignment of her own company. She has no resources but to seek help of Jacky, a worker from former design company, but misunderstanding arises between them due to difference in rank. But as they get on more, they begin to admire each other. Meantime, Michael, who tries to win back Dodo's heart. What would Dodo decide between her two admirers?

Looking Back in Anger was a 1989 Hong Kong TV series and one of the most watched TVB series by Chinese people in Hong Kong and around the world. Many factors contributed to the success of this series. As well as its tragic but memorable storyline, this series featured a strong cast, with Felix Wong, Deric Wan, Carina Lau, Kathy Chow Hoi-Mei and Maggie Shiu. The popular theme song of the series "Yat sang ho kau" was sung by Danny Chan and later by Deric Wan himself.

Mistaken Identity is a Hong Kong Crime-Comedy directed by Tsui Siu-Ming and starring Richard Ng.

Three Against The World is a 1988 Hong Kong action film directed by Brandy Yuen and starring Andy Lau and Rosamund Kwan.

Tai (Raymond Wong), a loving and caring husband and Josephine (Cherrie Chung), his sweet and darling wife, are a young, merry couple. Tai has a close lawyer friend, funny but kind-hearted Choi Sum (John Sum) who often offers his help whenever Tai needs it. Tai works in a De Luxe hotel's top management. He brings his wife to the hotel's annual ball in which all his colleagues are fascinated by the beauty of Josephine. Among the colleagues, there is a notorious seducer who is execptionally keen in seducing the wives of his friends. Tai, with the help of Choi Sum, makes every effort to protect his wife. They bring themselves into a series of hilarious and comic situations. Due to a complicated misunderstanding, Tai learns that he has got an incurabl cancer. He worries about his wife and plans for her future happiness. Joe Yeung (Mark Cheng), a nice and smart guy has proved to be an ideal potential husband for Josephine. Tai tries his best to match Joe and his wife...

Lo Tien Pei has retired as the king of gambling. But Yen Li Shan, who was humiliated by Lo years ago, is coming to town with fiery vengeance in his heart. Yen manages to buy the Endless Night, the top casino night club in Shanghai. Lo's son, Chi Feng, sees his father being forced by Yen to fall to his death. Chi Feng, trying to get revenge against Yen is badly beaten up. Chi Feng escapes and eventually leaves Shanghai. He takes on the meanest jobs, including boxing against a kangaroo, to eke out a living. Chi Feng eventually comes back to Shanghai for revenge...

An introverted businessman who doesn't get out much, Willie Ng recently celebrated his seventh anniversary, but his marriage seems to be hitting a slump. His wife is a Cantonese opera aficionado who often complains that her husband is boring and doesn't appreciate the arts. Willie himself is also eager for some action to break the monotony. When he goes to Singapore on a business trip, he encounters cute pickpocket Siu Hung at the airport, triggering off a series of events that puts his marriage in jeopardy.

Rebellious Yu Yuan-gi becomes a Taoist priestess in order to avoid traditional roles designated to her as a woman by the society and focus on her studies and poetry. However, her trysts with both her maid and a ronin lead to trouble.

Restaurant owner Lu Ganyu has two sons and a daughter. His eldest son, Lu Wenjun, becomes a journalist and later opens his own newspaper. However, his newspaper is suppressed by rivals, making him realize the cunning nature of the business world and prompting him to change. Wenjun uses the wealthy Huang De to help him, but he later forces Huang to sell his shares. Wenqi, Wenjun's sister, marries Huang despite her family's objections, but they don't get along. Wenjun falls in love with Xiao Ailian and Zou Shujuan. Although he marries Shujuan, he can't forget about Ailian. In his bid for success, Wenjun ignores his family and even associates himself with Meng Yanhong, a famous matchmaker, leading to his eventual success but estrangement from his loved ones. Meanwhile, Huang and Wenjun's enemies conspire to take him down.

TONG Pak-Fu, CHUK Chi-Sang, MAN Ching-Ming and CHOW Man-Bun were the four famous learned-men in classical Mid-China. They were on good terms. Once, they picniced and visited the monkish home in Fu-Yau Mounts. While there they encounter the Lady of WAH Prime Minister in a sedan followed by a train of servants and maids. One of the maids named CHAU Heung was very attractive. Pak-Fu was attracted by CHAU Heung and tried every opportunity to get near her, and caused a lot of laughter. HE even followed CHAU Heung to Han-Chow. The Prime Minister needs a library mate urgently. Pak-Fu takes this opportunity to apply for it and was accepted. He tried to date CHAU Heung when she brings snacks to the library one day. She rebuked him for giving up his future prospects. The three friends of Pak-Fu discover that Pak-Fu had disappeared. They soon find out his whereabout. With the help of the 2nd daughter-in-law of the Prime Minister, a cousin of Pak-Fu...... the two lovers eventually get married.

shaw production

A Cantonese musical comedy.

A ghost teaches a poor shopkeeper medicine, leading to tragedy.

Wu Te-chuan is a young man trying to make a living in an easy way. But now he is penniless and will being thrown out of his Macau hotel. Kind- hearted hotel maid Hsiao Yen is the only one to help him in the world. One day, Wu plays a trick on the hotel owner. The scheme backfires and Wu has to flee to Hong Kong. Wu saves desperate painter Hsin. He convinces Hsin that his painting will sell if he is dead. After Hsin pretend to be dead, his paintings really can be sold well, but backfires finally. Then, Wu and Hsin team up and engage themselves full time in con games, gambling and sex inclusive. Finally, Wu is being chased by the ring enforcers but is saved. Finding himself in love with Hsiao Yen, Wu decides to turn a new leaf and live properly ever after.

shaw production

The place to be is flat number 8 on the second floor of the Gossip Street apartment building, where all the neighbors gather to gossip. The sitcom turns serious when a local mobster wants to change the place into a gambling den.

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

The beautiful Ching Li works for her father's stocking company while treacherously becoming the secretary to her father's competitor Li Tzu-yang. They fall in love as she teaches him new meanings to the words "mannequins" and "hosiery".

A Time For Love features Shaw Brothers' darling Lily Ho in a Romeo and Juliet stylized love story that breaks the tradition of Hong Kong's "class distinction" love stories. It is a film ending with a Cinderella-esque love saving happiness happy ever other ending.

Tina Ti leads a star-studded cast in this hilarious farce as a pickpocket who, while fleeing the police, stumbles into an apartment occupied by seven single men. All hungry for a woman's affection, the men agree to take her in. However, what she doesn't know is that each of the men is coming up with ridiculous ways to have their way with her. A surreal comedy about sexual repression and sexual fantasies, the film mocks the desperate measures people take in the name of sexual gratification. Even though it is an erotic comedy at heart, it is never lewd or exploitative. In fact, like other Cantonese films at the time, the story even ends on a moralistic note as Tam Bing-man's character convinces the pickpocket to turn herself in and mend her ways.

Hong Kong comedy film.

Hong Kong comedy starring Connie Chan Po-chu

The blind Yip Man-chiu was abandoned at birth. Following the death of his foster parents, the boy is sold by his uncle Ah Sam to a blind Taoist priest, an abusive man. Running away from home, Yip is hit by a car and sent to a school for the blind by the social security workers. His talents impress the musician Siu Kwong and wins him a place in a music school for the blind. There he is joined by fellow students Lung Kwok-kei, a runaway child with an abusive stepmother, Chow Kuen, an abandoned child found on a train, and Cheung Kin-ching, an avid music lover sent to the school by her loving well-to-do father. The four children blossom into accomplished musicians under the tutelage of Siu and his wife and together with the less fortunate others, form an orchestra which earns a reputation for excellence.

HK crime horror film.

This is a Cantonese musical from director Wong Yiu

Bat Girl (Josephine Siao) returns from Singapore to Hong Kong as the singer Barbara to investigate her dad, a trapeze artist’s death. She is orphaned. She stays with her aunt. Her cousin is Sze Wai (Lui Kei), a pulp fiction writer of the superhero, Bat Girl. Encountering injustice, Bat Girl confronts Sze to interrogate about the whereabouts of Wu Wan-Lung (Sek Kin). Bat Girl unites with her friend, Chan Kwong-ying (Lydia Shum). Sze tracks down Bat Girl and is involved in a fight with Lung's marksmen in a nightclub. A private detective, James Bond (Cheng Kwun-Min) helps Lung find Bat Girl to no avail, as she appears in guises. Bat Girl eavesdrops on Lung and realises he was her father's murderer. She revenges on Lung, and a strange female creature (Yung Yuk-yi) appears as the Lung's house's owner. The creature finds that Bat Girl is her daughter. She wrestles with Lung and they are both burnt to death. At last, Sze finds out that his cousin is Bat Girl and they begin a romance.

Ghost-faced To is murdered in a mortuary after paying a visit to Muk Lan-fa. A set of teeth is found missing from another dead body. Lan-fa’s sister Sau-chen follows the leads on a business card To left behind to a dental clinic which suddenly bursts into flame. The news of her sister’s abduction by the infamous Japanese criminal Katsu Saburo soon reaches Lan-fa. Working together with her police friend Ko Cheung to crack the case, Lan-fa analyses photo evidences in minute detail. The duo order the retrieval of a pole that has survived the explosion intact while lying in wait at the clinic. Sau-chen, who has escaped, saves the duo from the chiller where they are detained. Inspector Yeung retrieves the operation plan concealed in the pole and the secret codes in the set of teeth, but the spook is shot dead by Katsu before he could reach the Hell’s Gate and the treasure buried there. Constable Kwan, and others and wipes out the gang at the Hell’s Gate.

Banker Fung Yan-tsang is a seasoned criminal in fraudulent activities. The righteous cat burglar Ham Siu-fo has issued a deadline for Fung to return the scammed money. Despite the obstacles put up by Fung's allies Chow Wai-pak and his stepwife Julie, Ham still manages to reclaim the money which is accordingly returned to the customers. In the process, Ham is reunited with her long-lost twin sister Katherine, Chow's daughter. Since losing her mother whose health took a turn for the worse after Chow's marriage to Julie, Ham has undertaken a chivalrous course in the footsteps of her aunt. She thwarts the scam marriage set up by Fung for Katherine and his idle son, using the servant Chu Yat-keung as bait, and exposes Fung's illicit affair with Julie. Crossing boundaries of class and wealth, the servant Chu and Katherine become man and wife. A happy Ham leaves, continuing to devote her life to the causes of social justice.

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

Hong Kong ghost story.

In 1966, Connie Chan Po-chu and Josephine Siao Fong-fong starred in multiple contemporary films, cementing their onscreen persona as virtuous young women while becoming the hottest youth idols of their time. Colourful Youth remains the only contemporary film to feature both of them. Filmed in Eastmancolor, the song-and-dance spectacle keeps its fingers on the pulse of its era and presents the vigour of the modern times.

The third live action Old Master Q movie depicts drama and hilarity between a young couple during their hardships.

Sau-chen goes out with the tenant Wong Chun-ching over the protests of her class-conscious parents Eighth Uncle and his wife. To foot the medical bills of his mother, Sau-chen works as a promoter at the Products Expo for Lung Wah Pharmacy and attracts the unwanted attention of the boss Chin Hoi-ngan. Chin desires the woman as a concubine. Acting on the advice of his subordinate Chiu Chik, the boss invents a phantom son and proposes marriage with the offer of a handsome dowry. The employee Wong, short of cash and needs money fast, is drafted as his saviour to meet the parents when the plot is duly exposed. Teaming up with his tenants, Eighth Uncle invites the henpecked husband's termagant wife along and causes a scene. In gratitude of their efforts, the landlord and his wife give blessings to their daughter and her lover.

Her mind deluded by Elder Three Unsurpassed, Ng Yu-ying is about to surrender the captured Chan Lam to Oh Yu-kan and Ho Yim-wah when his senior master Lee Kei comes to save the day, warding off the conspirators. Restored to sanity by the antidote delivered by her mother, Ng bids a silent farewell and pleads to be made the protege of Black Raksha. With Fairy Crimson Pearl leading the way, Chan rescues Chung Siu-chui and Chor Ling imprisoned at the White-bone Sect and survives the bombings orchestrated by Oh but finds himself cornered by beguiled members of the seven leading martial sects. Ng dons a mask and teams up with 'Little God of Hades' to break the siege, pursuing their nemesis to the Fiery Fire Sect where Chan and cohorts finally eradicate Scholar Four Poisons and Oh, the latter confessing to the murder of Chan's father at his last breath. Ng wields the Raksha Order to avenge her father's death, perishing together with her mother.

The first appearance of the comic character Old Master Q and friends.

Kwok Sau-yuk fails to ward off the advances of Scholar Four Poisons while mourning the murder of her husband. Master Chung comes to help and asks Kwok's son Chan Lam to look for his daughter Siu-chui before dying. Hurled into the Blood Pool, Chan chances on Ng Yau-nin, a victim of the intrigue hatched by his wife Ho Yim-wah and her lover Oh Yu-kan. Ng bequeaths to Chan a sword, and the Book of Blood Devil Moves unearthed from the cave and entrusts his daughter Yu-ying to his care. Having mastered the art, Chan emerges from the abyssal waters and becomes the 'Little God of Hades.' He is soon kept under lock and key by Oh who wants the Book of the Yellow Emperor. Treating Chan with a antidote, Yu-ying escapes with Chan after learning his father’s intrigue, only to be hit by a pang of loss and agony upon Chan's reunion with senior master Lee Kei and Siu-chui, his betrothed fiancee. Instigated by Oh, Chan finds himself confronting members of the seven leading martial sects…

Dirt-poor painter But Ka-sing lives under the same roof with Tang Chan-sin and Lee Tai-hak. Smitten with Tse Mei-chen, the penniless suitor resorts to staging a suicide and makes a fortune of his paintings which are sold at sky-high prices after his feigned death. Reinventing himself as a doctor, But competes with the rich heir Fung Chak-chak to win Tse's heart with an avalanche of gifts and money. However, Tse rejects the suit of the philistine. But gives up his windfall and tells the truth at his memorial exhibition. Thrilled, Tse pledges her love and marries the painter, for better and for worse.

Rich heir Lee Man, passionately in love with Pak Siu-ping, leaves the family defiantly after a dispute with his father Cheung-fat over an arranged marriage. Man walks into the barber shop owned by his splitting image Chiu Tak, throwing his wife Cheng Ying, friends and patrons into confusion. Believing that Chiu has strayed, the infuriated wife leaves home. Abducted to the nuptial hall, Chiu shuns the arranged bride, waiting and lurking for his escapade. The puzzle is solved when the two men finally meet face-to-face. Chiu and his wife rekindle their romance after Chiu's feigned death, plotted by Man to put their love through the ultimate test. Cheung-fat, who witnesses Pak's outpour of affection over the presumed death of Man, gives his blessing to the lovers. The barber shop enjoys a booming business with the capital brought in by Man.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

In high society there is a Madam Rose. Shum Chung-kei meets her and is enthralled. They begin dating. Kei knows very little about Rose. When Rose was little, her father Fok Wing-sum was betrayed by his business partner Shum Hung, who made him lose all his money. Hung was put in jail. Years later, when the Sino-Japanese war broke out, Hung reappeared as a spy. He arrested Sum. Although Sum escaped later, Hung caught his wife, who died later. Madam Rose wants to find Hung's offspring to take revenge. When she confirms that Kei is Hung's son, she approaches him. They are getting married. Kei invites his father to the wedding. Rose and Sum are anxious. However, Hung is alert and comes quietly. He discovers who Rose is and her motives. Rose and Sum go to Hung and they fight. Hung is guilty. He tries to jump off a cliff. Sum saves him. The enmity disappears. Kei and Rose stay together.

Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.

HK mystery film.

Yu Kwok-Kei cannot pay his debts and disguises himself as Ma Ka-Wai, his cousin Yu Lan-Fun's fiancee. He tries to kill Lan-Fun. A fisherman saves Fun. She believes that Ka-Wai was the attacker, but she can't understand why. After Fun has been missing, her family puts an announcement in the paper. Meanwhile, Chan Lan-Fong, who just comes to Hong Kong, looks like Fun and is brought to Yu's home. Fong's habits are totally different from Fun's, and she cannot recognise the family, who thinks Fun has amnesia. Fun knows that her family has mistaken somebody else for her, so she goes back home secretly and teaches Fong her habits and customs. Fong does what Fun tells her, and the family thinks that she has recovered. Kwok-Kei has a guilty conscience, so he disguises as Ka-Wai again, intending to kill Fun/Fong. But he fails and got arrested. Everybody learns that Kwok-Kei wanted to kill Fun. Moreover, Fun's mother discovers that Fong is Fun's lost twin sister and the family is reunited.

HK horror film.

A Shaw Brothers comedy

A Shaw Brothers comedy starring Pearl Au Kai-Wai

Scholar Yuen Man-lung leads a double life as Vigilante Golden Cat. Yuen is separated from his lover Tso Oi-lan by her snobbish father who promises her to Tsui Tai-fei, son of the magistrate and incriminates him as the wanted burglar. Yuen sneaks out of prison and wreaks havoc in Golden Cat's name; the exasperated magistrate has to release him. Before leaving for the imperial exams with the runaway Oi-lan, Yuen stages one final heist for his friend's sake. The officials trail Golden Cat to his house where his nocturnal costume is retrieved. His father is arrested as the criminal. Drawing a plan up her sleeves, Oi-lan's sister Oi-ling whisks the elder out of the execution ground. Despite failing at the exams presided over by corrupt examiners, Yuen saves the emperor on his homecoming journey, and returns triumphant as a duke.

Sit Muk-fu covets the beauty of the maidservant Ku Kar-lin. Ku concocts a scheme with her husband Wong Hoi to swindle money out of the lascivious man and has to flee into hiding with Sit being stabbed to death during their secret liaison. Detector Lui Hak investigates into the murder at Ku's house and arrests the husband who has a sharp knife in his possession. Bearing witness to the murder, their daughter Bo-bo fights to prove her father's innocence. Upon receiving a score of mysterious phone calls revealing Ku's whereabouts, Lui lures the woman out with Bo-bo as bait, subduing and detaining the suspect. The detective fathoms the mystery of the murder case which leads him to another suspect, But Kei. But has been extorting money from Sit and forces his daughter, the sole heir to his inheritance, into marriage in return for concealing his murder-for-money scheme. But submits to arrest without resistance while Ku and husband walk free, acquitted of the charges.

HK horror film.

On his way to Lin'an, Lee Tsi-wan survives an attempt on his life by an employee but loses his memory. Maid Siu Yuet-mui of the Sek family comes to the help of the distressed. Lady Sek marries Siu to Lee to vanquish her husband's licentious interest in the maid. The loving couple raises a daughter Siu-fa. A few years later, Wan is hit on the head away at work and regains his memory. The homesick traveller returns to his native home, leaving behind Siu and daughter. The mother and daughter look for the missing man but he hasn't the faintest idea who they are. Apprehended by the incident, Siu plunges into depression. One day, Lee passes by the stone house where the couple used to live in and recalls past episodes of his marriage. The family is happily reunited.

Entrepreneur Silly Wong returns from overseas having made a fortune there. His godson Tsim Tsui-mau and wife Ho Bit-siu, and friend George Cheung use every trick in the book, even hiring the alluring singer Lin Yung-so, to entertain and curry favour with the loaded returnee. Unfortunately Wong's saving, totalling 10 million dollars, is only due to arrive in two weeks. Penniless, he remains evasive over financial matters. Tsim thinks that Wong is a swindler and leaves in a fit of anger. Lin gives him a hand in his moment of need, and love blossoms between them. Mau and others believe that Lin must have gathered evidence of Wong's wealth and thus forcibly take him home. Realising Tsim's snobbishness, Wong admits to a fuming Tsim that he a broke man. Finally the money arrives. Wong cherishes Lin's love and marries her, but shows the door to the remorseful Tsim and friends.

Hong Kong horror.

60s shaw crime film

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.

Loosely based on Charles Perrault's Cinderella

Mr Wong leaves the countryside and goes to the city with his wife and daughter to inherit a great fortune from his late uncle, unaware that a bunch of criminals are planning to honeytrap him.

Following the success of Two Fools in Hell (1958) and Two Fools in Paradise (1958), Sun Ma Si-tsang and Tang Kei-chen team up for the third film in the series. The two fools have finally finished school, but their road to steady employment is fraught with obstacles. Things get worse when their troubled former classmate sets the two heroes up for murder. A spirited take on The Man Who Knew Too Much (1956), the film even includes a cover of Que Sera, Sera as the theme song against hoodlums.

HK horror film.

The film commences with Ching (Tang Bik-wan) lamenting over her bleak life through singing: her mother died early and her stepmother (Lam Mui-mui) is wicked. The song precedes her appearance in the house while the cinematography helps to tug at the emotional heartstrings. Because of her debt-ridden father, Ching is forced by the stepmother to marry an old invalid. To prevent the marriage, Ching's lover Ho (Chan Kam-tong) raises money by agreeing to marry his own cousin (Fung Wong Nui). Ching's life is doomed, yet, when the stepmother absconds with the money. With all her hopes dashed to the ground, Ching decides to opt out of marriage for life. However, witnessing her 'self-combed' sworn sisters being bullied even to the point of committing suicide further devastates her. This tragic heroine comes to life through Tang's masterful performance both as a singer and an actor. The climatic and tear-jerking scene of Ching dying is definitely a highlight of the film.

Pak coek gung's family rents the third floor of a tenement building. Due to the water shortage, Pak's porridge stall is difficult to operate. At that time, Ah Seng, the son of Pak, owed money to Cheung, the fat man downstairs. Cheung saw that the porridge stall could not operate, so he took away the license of the porridge stall. In order to get the license back, Pak's daughter Miuying had to work as a dancer to pay off the debt. Then Pak's neighbors helped the porridge stall reopen and even reported Cheung for wasting water.

The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.

Yung (Ng Cho-fan) is an upper-class kid who has fallen from grace. He forms a warped relationship with a rich widow (Pak Yin), only to meet again his wife (Siu Yin Fei) with whom he’s lost touch during the war. The fateful affair eventually opens up a Pandora’s box, turning jealousy, betrayal and selfishness into fatal outcomes.

It was assisted by the Qing army and some traitors (Fan Cheng-En), who captured Guangzhou and massacred the civilians for three days until Sun Yat-Sen established the Republic of China and Chiang Kai-Shek succeeded in the Northern Expedition.