Based on Bjarne Reuter's 1975 juvenile novel, even broader comedy strokes are employed in the film version, but bright spark Bertram is still at the center of things when a nice but dubious uncle (he has a criminal record) takes all the kids of a working class family, hit with bad luck, away on an outing. A plot is cooked up to kidnap some rich kid. It works at first, but soon things get out of control.

A group of children fleeing from a cruel stone age society with violence, exploitation and sexual abuse.

Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) this trite drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go. Several of the performances -- especially Fritz Helmuth as the love-starved, aptly named Bent -- manage to reach a little beyond the stereotypes, but Bodil Kjær, of all people, delivers a simply dreadful (and one-note) parody of a once-glamorous movie star.

Crime film about a Copenhagen social worker who, out of boredom, seeks away from his environment and into the criminal underworld, which he soon becomes part of - with fatal consequences.

A woman, Ilse Brehmer, finds the body of a dead man, a journalist. He has been murdered, and later when the body turns up in the harbor, the woman denies everything, even though witnesses has seen her nearby the crime scene. She simply can’t remember anything, but the detective on the case, Mørck, knows how to smell a lie and soon start to unravel this bloody mess.