Set in 1776, this historical film by Petr Hvizd concerns an army deserter who takes refuge within the walls of the Convent of St. Claire. The investigation to find him soon becomes a question of morality concerning the value of human life in the context of the diversity and hierarchy of social laws.

A police inspector and inexperienced trainee search for a mysteriously disappeared manufacturer of ointments for hair growth.

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

The director and choreographer from Prague are preparing a show performance "Oriental Fairy Tale" - a ballet on ice with the participation of vocal and instrumental ensembles and pop singers. They are shooting their picture in Kazakhstan at the Medeo high-altitude skating rink.

A red haired Petra is not your ordinary girl - in addition to her regular "girly" interests she's also a goalie in boys football team.

Okres na severu is a Czechoslovak/Czech TV series filmed by Evžen Sokolovský in 1981.

In his feature debut, Dneska přišel nový kluk (A New Boy Started Today) from 1981, the director Vladimír Drha set the tone for a number of Czech films, which critically depicted the state of society from the perspective of young protagonists. Although, Drha primarily found scope for his work in television, he returned to the world of a “working youth” in his second film Mezek (The Mulish Victor, 1985) – albeit following him from the point of view of an educator. NFA.CZ

Matej and Jenda, two of the eight children of the poor Pelc family in the Giant Mountains, help in a glass works where the oldest brother Francek works. They hide into a tub not to be seen by supervisors checking on the ban of children labor. They miss the Epiphany carol (songs and treats door-to-door) and all neighbor village boys again on them in all the neighbor houses. On their way home they are passed by a fast moving big man with a large backpack. The boys send the customs officers, who are pursuing the strange man, to the opposite direction. The man then thanks them and rewards them the next day. Based on fairy-tales and legends the boys think the man is Krakonos (the giant living and ruling in the Giant Mountains).

The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.

Inženýrská odysea is a Czechoslovak/Czech TV series about three young students and their lives.

Tomás lives in a very small Czech town and is a nature lover and a birdwatcher. He struggles to keep the forests he loves clean and constantly fights his "archenemy" whose sister and Tomás's classmate is secretly in love with him.

Vera, wife of the plumber Simandl (Josef Somr), is found murdered in the cinema next to the IDOC (Information and Documentation) agency where she worked. Police captain Marha (Frantisek Nemec), who is leading the investigation, is informed by Simandl that on the day of the murder Vera promised to bring home fifty thousand crowns to buy a car. Marha's primary suspects are the three men working at the agency: deputy editor-in-chief Brandl (Jirí Pleskot) and editors Pernata (Eduard Cupák) and Remes (Ludek Munzar, and of course also Simandl.

Julie, the youngest daughter of a bankrupt merchant, sacrifices her life in order to save her father. She goes to an enchanted castle in the woods and meets Netvor, a bird-like monster. As Netvor begins to fall in love with Julie, he must suppress his beastly urge to kill her.

Taxi driver Koukal (Miroslav Machácek) is stopped by the police for a routine traffic check. In the boot of his car the police find the body of a naked man. Koukal is arrested even though he claims he knows nothing about it. The case is assigned to Major Mlynár (Milan Sandhaus). The police identify the corpse as that of an Austrian citizen called Mitrik. Koukal has been regularly driving people interested in gambling to a secret gaming den. The police are put onto the gambling den by another taxi driver, who admits that he drove Mitrik there. Mlynár and officer cadet Pecka (Ivan Vyskocil) feign interest in gambling and visit the gaming den incognito.

Second movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

The director of films for kids called Bonzurka together with her loyal assistants Drahuska and Honza are looking for the actors for a new movie "The Knee". Children for this movie should not be afraid and shy and they must have talent for acting. Thus the scouting is quite difficult. The most difficult is to find an actress for a main character who lost her hair after a serious illness and now has to spent the whole holiday in the countryside with a bald head resembling a knee. Although the makeup artist does his best an artificial baldness does not solve anything. From the selected little girls only the self-assertive Rosemary has the guts to let her long hair to be cut and shave off her head.

Sarcastic comedy about the Czechoslovakia of the seventies. A young gynaecologist can't figure out whether to get serious with a young nurse or to stay casual with his married lover. Things get complicated when both women don't want to play his game anymore.

Three short stories ("Zelenáči 1945", "Silvestr 1948" and "Zimní vítr 1951") about members of the SNB units guarding the Šumava border in the post-war years. Ivo Toman had artistic supervision over the debutants. The theme of the third short story was made in 1959 for the film "Entry Forbidden" by František Vláčil, who was also starting at the time.

Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

The plot begins in the Soviet Union showing first efforts to establish the Czechoslovak legion in 1942. The film also shows the assassination of Heydrich and the subsequent annihilation of Lidice. The main topis of the film is battles with German troops for Sokolovo.

This film, chronicling the last days of Czech resistance fighter Maruska Kuderikova (played by Magda Vasaryova), is based on her diaries. Though she was tortured and eventually executed by the Nazis, her diaries indicate that she was optimistic for the humanity of her captors and did not by any means hate them. Told with simple dignity, this film makes clear why Maruska became a national hero.

Czech television production of Dracula that is very faithful to Bram Stoker's novel.

It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.

Sňatky z rozumu was a Czechoslovak television programme which was first broadcast in 1968. The programme was directed by František Filip.

Seven days, or rather evenings and nights, in the life of Jenka (Stanislava Bartosová), a young good-looking nurse. Jenka is attractive to men and enjoys their company, but there is a limit beyond which she won't go, since she is faithful to her Filip, who is doing his military service. On Sunday the girl awaits Filip to arrive on a short period of leave, but instead his friend Míla (Frantisek Nemec) turns up and apologizes for Filip, who has to stay in the barracks.

The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.