Winnie is desperate and doesn't know what to do next. She is about to marry her lover Paul, who has returned from war captivity. Both want to emigrate to America short after marriage. But the young woman has an illegitimate one-and-a-half-year-old son, whom she has kept secret from her fiancé. The short-tempered Paul would never understand that. When she is on her way to the orphanage, the grumpy senior civil servant Hieronymus Spitz and his little dog Tobby get into her train compartment. After a short observation, Winnie is certain that the misantrope actually has a good heart, because he lovingly takes care of his dog. Without further ado she leaves little Niki with the tax accountant and disappears from the train. Only a note with a request remains. The overwhelmed old gentleman initially wants to get rid of the child, but then takes it home and takes care of it together with his housekeeper. Both take the bundle of joy to their hearts. But then everything turns out differently.

This powerful anti-war film statement focuses on the plight of a German unit in World War I that finds itself surrounded by British and French forces.

Musical about a girl typist who leaves Berlin for Venice after winning a contest. A rich bachelor pretending to be poor takes a job with her and competes for her affections with a count and a tenor. No print of the film is known to survive, and it is therefore a lost film. It is based on the operetta Es lebe die Liebe by Alexander Engel and Wilhelm Sterk. It was one of a cycle of operetta films made during the early sound era. A French-language version, Venetian Nights (Nuits de Venise), also directed by Wiene, was released the same year. From Wikipedia.

A film about the pupils of a posh Berlin gymnasium in their final term, and their class teacher teaching them about humanism and tolerance, a lesson that would be badly needed three years later.