Madrid, 1993. Two old friends down on their luck kidnap a college girl and demand ransom from her family.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.

The Way They Were is a Spanish Drama starring Antonio Banderas

The plot follows the misadventures of two young friends who are forced into street hustling and ever-expanding life of crime when one impregnates the sister of the other and they need to get the money to pay for her to have an abortion.

A chronicle of the life of Jaro, the leader of a juvenile delinquent gang, depicting his rise from street urchin to outlaw anti-hero on the way to his inevitable end.

Dramatic portrait of men and women discouraged in the midst of the Spanish Civil War, after the odyssey of a group of Republican soldiers trying to reach the east coast to go into exile. Agustín must bear that his libertine father lives with the ironer Remedios, although she does not love him. She escapes and he goes to war; when they finally meet again, anxious amid bursts, it will be impossible to consummate their desires repressed for so long.

Obsessed with fantasies of sex, Father Miguel seeks professional help through his church but they are not listening; thus leaving the Father in a dilemma; leaving the church or should he try, on his own, to surrender to these temptations?

Tender and erotic love story of a respectable bourgeois housewife and a large black Alsatian dog. Shot in 1977, the film employs bestiality as a symbol of Spain's political landscape. It makes references to the massacre of Atocha and to political right wing groups that, after the death of Francisco Franco, tried to maintain the dictator’s political ideals.

Eduardo, a wealthy banker who has a pastime for hiring young street hustlers to keep his bed warm, spots Miguel, an extremely handsome teen who has a penchant for women and motorcycles.

Paralytic Alicia is sent by her father to a bizarre clinic to be cured and soon begins to suspect sinister things are occurring upstairs (which the staff claim is uninhabited).

In a 19th century village, a young aristocrat suffering from a terminal disease finds herself being drawn to the underground world of vampires and their strange rituals.

A beautiful teenage shepherdess named Adega sleeps one night with a mysterious pilgrim in a barn of impoverished and superstitious Galicia of the nineteenth century. The overwhelming fanaticism of the villagers motivates them to consider the outsider an envoy of Satan, reason why they deny him the lodging. The pilgrim, on the other hand, will react by cursing the people with plague and misery.