In this early short Harold Lloyd sneaks into a movie studio in order to locate an attractive young lady he's just met at a snack bar. He's retrieved a letter she dropped and wants to return it to her, but it's pretty clear that his interest extends beyond mere politeness. (She's the adorable young Bebe Daniels, so this is easy to understand.) The movie studio setting provides Harold with lots of opportunities to do what comedians do in comedies like this one: flirt with actresses, anger the studio brass, and dash through sets disrupting everything.

A photo studio operator seems only interested in flirting with women. Hilarity ensues.

Harold Lloyd starred in the successful Lonesome Luke series. However, he soon grew tired of the obvious Charlie Chaplin imitation. In an attempt to reinvent himself, Lloyd donned a pair of horn-rimmed glasses, and thus, a new comedy legend was born. Setting himself against Chaplin, Lloyd's "glasses character" was an everyman, a resourceful go-getter who embodied the ambitious, success-seeking attitude of 1920s America.