Elia Kazan represented the American dream. An immigrant who came without anything and who became the Prince of Hollywood and Broadway after World War II. Actor, theater director, filmmaker, writer, he is the founder of Actor’s Studio, a collaborator of Arthur Miller and Tennessee Williams, and a director who discovered Marlon Brando and James Dean.

A behind-the-scenes documentary on the making of Martin Scorsese's "Silence."

Filmmakers, social scientists and authors take a provocative look at the moral, political and ethical themes of the Dirty Harry films.

An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.

A look at the cinematographers, editors, musicians, production designers and other talent of the Dirty Harry series.

An unflinching look at the ongoing debate on violence in movies and its effect on the audience.

Follow Stanley Kubrick as he creates his savage and brilliant Vietnam film, hewing closely to the theme that dominated his creative life for four decades - the duality of human nature. Poised between good and evil, mankind was, in Kubrick's view, a complex creature equally capable of unspeakable savagery and heart-melting tenderness. Full Metal Jacket would make his case in vivid, blood-soaked Technicolor. Through interviews with Kubrick's collaborators and cast members, including Vincent D'Onofrio, Lee Ermey and Adam Baldwin, this documentary reveals how Kubrick's brilliant visual sense, astute knowledge of human nature, and unique perspective on the duality of man came together to make Full Metal Jacket an unforgettable cinematic experience, taking its place in his "war trilogy" alongside cinematic landmarks Fear and Desire and Paths of Glory.

A documentary about the making of director Martin Scorsese's 1993 film adaptation of Edith Wharton's Pulitzer Prize-winning novel, The Age of Innocence. It features a conversation between Scorsese and the star of the film, Daniel Day Lewis, as well as rare behind-the-scenes footage.

Providing behind the scenes footage of the director on set with clips from his own films, Martin Scorsese Directs depicts to riveting effect the way Scorsese brings the written story to life on the big screen. Additional interviews with the likes of Joe Pesci, Harvey Keitel, Thelma Schoonmaker, the director’s own parents, and others build a perception of Scorsese that not everybody knows.

The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.

In the late spring of 1970, nationwide protests against the war in Vietnam focused in the Wall Street area of New York City and ultimately in a major anti-war demonstration in Washington, D.C.. A group of New York University film students documented the demonstrations as they happened in both cities. Later, in New York, the massive amount of black and white and color 16mm footage was edited into this important record of the day-by-day events. The extended final scene, shot by Edward Summer in a hotel room in Washington, D.C., is a spontaneous conversation among Martin Scorsese, Harvey Keitel, Jay Cocks and Verna Bloom who, along with a large group of NYU students, found themselves frustrated and perplexed by the events and hopeful that the protests would result in change.