The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.

With capitalism and corruption becoming more entrenched in Russia, a father and his teenage son gear up for a yearlong political campaign to unseat President Putin in the 2008 elections and shift the country back toward socialism. Aliona Polunina's thoughtful documentary follows Anatoly and Andrei in their struggle to recreate a revolutionary fervor in a society that seems to be embracing the materialist values of the West.

Short movie shows us a life in the Moscow Headquarter of the National Bolshevik Party and contains several interviews with a party members.

Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.