Chef Nissim, a millennial in Mumbai, finds himself at a crossroads in his love life-- Chef Gowri is a feisty go-getter who likes to live life off the beaten path while Prajakta assures a more serene and stable life. Whether to go all-in with the spice or to choose a sweeter flavour for life, is a choice that Nissim has to make. His liberal, upper middle-class family with a mixed bag of viewpoints doesn't make his decision easier.

Sunil is home alone when the doorbell rings. The stranger at the door is the husband of Chhaya, a woman that Sunil is having an affair with. The man asks many uncomfortable questions about their affair, becoming more and more intrusive.

Nachiket is single and peer pressure to be in a relationship drives him to do something risky. But, does it land him in trouble or does it change his life for good?

Malti Mhaske is accused of murdering her high class owner, Kavya. Tara is defending Malti against the state in the courtroom. In a case that is hard to win Tara brings forth the subdued mental state of a physically abused "at the hands of her former caretaker" Malti. As the case unfolds so do complexities of the lives of Malti and her owner.

Biopic of Marathi comedian, India's first stand-up comedian P. L. Deshpande.

Second part of the biopic of a Marathi comedian, India's first stand-up comedian P. L. Deshpande.

The title is not just a slang word but a hip new attitude, importantly a fresh perspective on life. A coming-of-age comedy about a 33-year-old who is trapped between the identity of a boy and a man. YZ tells the story of Gajanan, who ends up in Pune, and how his friendship with an 18-year-old called Battees, opens him up to a new world around him. When the most under confident person in the world meets the most confident one, a series of maddening events is bound to happen. YZ is an incredible journey of friendship, innocence, happiness, love, true spice of life and the beauty within. YZ is all about discovering our own real, mad and bold YZ version. So, break free and be YZ!

An ordinary bachelor pursues girls like a hunter, but not with the intention of settling down in life.

Laila and Manju have been going out for what seems like a lifetime, but Manju’s mother, Poornima, has only just learned about it. In an absurd combination of FOMO, identity crisis and alienation, Poornima worries that her daughter may not be ‘normal’. Was this a result of her laissez faire parenting? Or had the world moved on without her?