During a misfire, Gabriel and Raphael, two robbers Sunday, escape by accidentally kidnapping Paloma, an 8-year-old girl. Michel, an experienced cop, makes it a point of honor to stop the two men and recover the girl. Soon Gabriel and Raphael discover that the girl is not alone. Paco, her imaginary "friend", accompanies her and protects her against a heavy secret - Paloma is a child beaten by her parents. They now have the choice: to make the girl to these executioners and be bastards, where to keep with them and pass for bastards.

The sequel of Lady Bar follows Jean and Pat opening a match-making resort on a beautiful Thai island while Jean's friend Polo finds himself soul-searching in a buddhist monastry.

Pierre, Raphael and Jules are golden boys and longtime friends. Pierre, the most flamboyant of them, is in great financial difficulty. He hid all his problems from his wife Alex. Soon Alex will, to repay the debts inherited from her husband, return to the palace Brongniart by the door, in the midst of stock market turmoil in the 90s. Flames, friendships, betrayals, insider trading, tax havens, money laundering, in a macho environment devoted to the cult of secrecy ...

Jean and Polo are two old friends who decide to go to Thailand to change their minds.

A talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the sexual advances of another photographer.

Kurdish expert Hiner Saleem (Shero) wrote and directed this French comedy-drama, set inside the 100,000-population Kurdish community in Paris. The original French title translates as "Long Live the Bride...and the Liberation of Kurdistan." Cheto (Georges Corraface) seeks a wife via videotapes while still seeing his French girlfriend, immigration office worker Christine (Stephanie Lagarde). Cheto places an order for a beautiful girl, but he's disappointed when her sister, country girl Mina (Marina Kobakhidze), arrives at the airport as a substitute. Family pressure forces him to marry her. Unhappy with the way she's treated by Cheto, Mina acquires some progressive notions from Leila (Schahla Aalam) and other local feminists, leading to confrontations with Cheto.