Laced with humour and a touch of the absurd, this is a story with Margaret and Clive Lewis at its heart. These unlikely heroes' quiet lives are changed in an instant when they find themselves on the wrong side of the law. Set in a bypassed town at the edge of a valley, this is a story about crumbling values, resilience and transgression being the key to liberation.

One person can make all the difference. Miss Lily Moffat arrives in rural North Wales, determined to help young local miners out of poverty by teaching them to read and write. Lily soon spots talent in the unruly Morgan Evans, but when she faces growing resistance from the community, she does everything in her power to forge him a new future.

A film poem to commemorate the 50th anniversary of the Aberfan disaster, written by Owen Sheers and performed by a stellar cast of Wales's best-known acting talent, including Michael Sheen, Jonathan Pryce, Sian Phillips, Eve Myles and Iwan Rheon, with some contributions from the local community.

In a small Welsh town where people talk to themselves we meet Jim, a lonely teenager who is given the chance to increase his popularity when a cool American kid moves in next door. Written and directed by Craig Roberts, who also plays the lead role.

A series of British television films featuring William Shakespeare's History Plays.

A darkly humorous three-part drama series focusing on trios of people working at a Welsh seaside town's funfair. Each episode is self-contained.

In early 19th century Wales, Catherine Morgan, a widow with two daughters, must endure the bumpy road to a distant market in order to sell her cattle to save her farm and family.

A reporter investigates ritual profanations and finds himself involved with a Druidic cult.

A poignant drama set in both the Wales and Northern Ireland of 1990. Loosely based on the story of the Second Branch of the Mabinogi, one of the Welsh myths.

Debbie and Jo are identical twins. After Jo is killed in a car accident, Debbie starts to act increasingly like Jo. Mysterious circumstances lead Jo's widower Sam to suspect that the accident wasn't an accident at all.

Dai Davies (Eric Wyn) is a Welshman running a cash-strapped farm in modern Wales and raising his orphaned granddaughter Gwen (Sian MacLean) with the help of her godmother Nerys (Lynette Davies). When he dies unexpectedly, he leaves Gwen's guardianship to his estranged son Alan (Daniel J. Travanti), who has returned to Wales accompanied by his stepson Cliff Dean (Patrick Loomer). Alan's return pits himself against land developer Howard (Dafydd Hywel) and Cliff against Gwen's would-be suitor Gwilyn (Richard Lynch). As Alan and Gwen try to connect in the background of readying the farm's prize stallion Mabon for a race that could save the farm, Howard resorts to dirty tricks to try and force through the farm's sale.

It's a big night at the New Dragon Inn when a coach of distinguished Germans arrives. But disaster looms - it's the local cricket team's annual fancy dress bash and the theme is the Second World War.

Britain in the mid-1990s: a divided, violent nation where civil disorder and urban terrorism are on the increase. Scotland Yard detective Commander Jack Bentham is seconded to Wales to look into a series of shootings by police officers, and uncovers a complex web of deceit and corruption

Buck Weaver and Hap Felsch are young idealistic players on the Chicago White Sox, a pennant-winning team owned by Charles Comiskey - a penny-pinching, hands-on manager who underpays his players and treats them with disdain. And when gamblers and hustlers discover that Comiskey's demoralized players are ripe for a money-making scheme, one by one the team members agree to throw the World Series. But when the White Sox are defeated, a couple of sports writers smell a fix and a national scandal explodes, ripping the cover off America's favorite pastime.

A young Welsh soldier on duty in Northern Ireland finds himself used as a political pawn, following a tragic incident during a violent clash with some of the local agitators. The Guardian proposed that "if Spielberg's ET, in the immortal words of Pauline Kael, was a bliss out, Karl Francis' 'Boy Soldier' is a bleed out for sheer fist shaking emotionalism, it would be hard to find another British film of recent years to beat it."