An opera by David Sawer and Rory Mullarkey, based on a novel by Roberto Bolaño. A local civil servant’s obsession with a beautiful figure skater drives him to embezzle funds to build her a secret ice rink. When an unlikely group of characters discovers them, tension mounts until a murder on the ice unravels everything. Garsington Opera‘s commission The Skating Rink, written by leading British composer David Sawer with award-winning playwright Rory Mullarkey, premiered in July 2018. Based on Chilean author Roberto Bolaño’s novel it tells the thrilling tale of jealousy, political corruption and the lengths we go to for the ones we love.

This outstanding performance marks an unforgettable night in Met history: Renée Fleming's farewell to her signature role as the Marschallin, and Elīna Garanča's final turn as Octavian. This new production was staged by Robert Carsen, and is conducted by Sebastian Weigle

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score.

An open-air staging by Aldeburgh Music of Benjamin Britten's Peter Grimes, on the beach that inspired the opera. A small seaside community struggles to accept a fisherman.

Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.

Live from the Metropolitan Opera 19 December 2009.

Chris, a former tennis player, looks for work as an instructor. He meets Tom Hewett, a wealthy young man whose sister Chloe fall in love with Chris. But Chris has his eye on Tom's fiancee Nola.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive. The internationally renowned Mozart interpreter Sir Colin Davis conducts the chorus and orchestra of the Royal Opera House and a glittering cast in David McVicar's 2003 production of the opera Mozart wrote in the final year of his life, recorded live at Covent Garden.

The Prince is melancholy, tragic poetry to blame. Prescription? Laughter! While the court scrambles to amuse the prince, it's a witch that finally does the trick; tripping over and revealing her knickers. His laugh angers the witch, who curses the Prince with an obsessive love for three oranges. The Prince and his jester march off to find the oranges, kept in the kitchen of a murderous cook. But not everyone is on the prince's side; the Prime Minister is plotting to kill him! Does true love lie under that thick orange skin? Will the witch come back for revenge? Will the evil Prime Minister succeed? In this farcical fairytale, you never know what's around the corner.

Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialization of a society in which the ultimate crime is not having money