After Colin Walcott drops dead at his birthday party his wife Tess and daughter Cat discover he had a long-term mistress Marilyn by whom he has a daughter Cath. An irate Tess throws out Colin's belongings whilst Cat is angry with boy-friend Marcus over a text he sent to another girl. When the two half-sisters meet there is an argument over where to scatter their father's ashes, leading to police intervention whilst they also learn he may have been having an affair with yet another woman.

Trevor is 'between jobs'. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he's not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons' return is just the beginnings of Trevor's problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.

A comedy in which the tenants of a high rise work together to defeat a cruel loan shark.

A young rogue is thrown into prison for the weekend, unaware that the guards are blood-sucking vampires and the inmates are their victims

Our Urban Myths are stories that have been passed down over time and have now become part of urban folklore. But are they true? We take a slightly tongue in cheek, mischievous – and deliberately ambiguous – look at what might have happened...

Sitcom about three desperate young men from the suburbs who try to get laid, hold down jobs and climb the social ladder in the big city - which just happens to be ancient Rome.

A woman lies dead in a Nottingham flat, her terrified sister barricaded in the bathroom. At 2am a young man in a bloodstained shirt is pulled over for speeding. The three only met that afternoon – what happened in those fatal hours? All there is to go on is what the two survivors say.

A stressed-out Stephen is running late to see his daughter when Sarah, a girl reported in his paper as "missing", sits next to him on the bus home. When she departs Stephen decides to report her appearance to the missing hotline – but discovers that Sarah has stolen his phone. Angry, he rushes off the bus to confront her. Despite being caught red-handed Sarah denies her crime. Will Stephen’s revelation that she is "missing" cause her to reconsider?

The stories of five young women who were tragically murdered in Ipswich in 2006.

When five young outsiders on Community Service get caught in a strange storm, they discover that they have developed superpowers.

Lucy is eleven years old. Having been neglected by her estranged mother and father, she is placed in a children's home. Through her eyes, we follow her struggle to cope with the system; her only saving being her self-belief and certainty that she is being watched over and protected by the holy spirit.

Shaun and Daz are vibrant kids, wasted by their experience of education. All they have is friendship and Shaun's first love Katy. From the moment Shaun steps into our world he is bound to lose. Labeled as a violent bully he destroys himself and Daz with him. Shaun has twelve years to reflect on an intense summer of love, sex and loyalty. But Daz's imminent death forces Shaun to confront his past.

Nina is easy to find. She is on the industrial estate, near the gas tower, She is fifteen, addicted to drugs and on the game. George is one of her nastier punters. His arrival turns the temperature up on her already combusting life. He is the scummiest of scummy men, someone you really don't want to be involved with, at all. A magician and a taxi driver offer Nina a quick fix but doesn't everyone want something in return? She won't take it lying down. Scummy man is a gripping glimpse into the lost and misplaced lives on todays back streets. The film is brutally honest, intense and not afraid.