Having enjoyed a 50-year musical partnership with the Vienna Philharmonic, Riccardo Muti takes charge of the celebrations for the sixth time in what’s bound to be a uniquely poignant occasion. The concert includes the traditional mix of Austrian classics, featuring music by the Strauss family and ending with the ever-popular By the Beautiful Blue Danube and the foot-stamping Radetzky March. In these uncertain times, the concert looks to send people all over the world a new year's greeting in the spirit of hope, friendship and peace.

The film is a rendition of Resurrection, Tolstoy’s last novel. It begins with a reading of the beginning of the first part in Naples, in September 2012. It moves on to Berlin, Locarno 2013, Oneglia, Paris, Casalborgone, and it ends in Milan with the beginning of the second part. The places and times change, and so do the people doing the reading. But also, in the middle, real people and voices surface, like Adamo Vergine at his home and Jean François Neplaz in Marseilles. The film searches for the possible faces of Tolstoy’s two protagonists in Oneglia, Procida, and Casalborgone.

The New Year’s Concert live from Vienna is one of the world’s most famous and spectacular classical music events. It was be broadcast on TV and radio and reaches over 90 countries around the world with more than 40 million viewers. Broadcast on BBC2, New Year’s Day, 10:15am, Highlights broadcast on BBC2, New Year’s Day, 7pm. The annual New Year's Day Concert in Vienna has been a major event for more than eight decades. The resulting recordings with works from the Strauss dynasty and their contemporaries are among the classical market's most important releases. In 2018, Riccardo Muti returns to conduct the New Year's concert for the 5th time! Muti has conducted the world famous Vienna Philharmonic Orchestra more than 500 times, which has created a special relationship and connection with the orchestra, resulting in a fantastic sound.

The beautiful Italy

Experience what Zell Music Director Riccardo Muti calls “the work of a divine architect” in this special encore presentation of Beethoven’s Ninth Symphony. Recorded live September 18, 2014, at Orchestra Hall during one of the opening programs of the Chicago Symphony Orchestra’s 2014/15 season, this performance features Muti leading the Orchestra and Chorus and distinguished soloists in one of history’s most powerful and inspiring artistic works. A masterpiece whose staggering influence can be seen across classical music, it concludes with the famous Ode to Joy, which calls for understanding, peace and universal goodwill. The Chicago Symphony Orchestra is grateful to an anonymous donor for generously underwriting the recording of this concert in 2014.

Austrian classical conductor Carlos Kleiber (1930-2004) was as eccentric and reclusive as he was brilliant, persistently and obstreperously declining to participate in the international music community or business. This set him apart from his more public contemporaries, such as Herbert von Karajan. This biographical documentary attempts to resolve the ambiguities surrounding Kleiber. The product of exhaustive research, it features rare performance footage of Kleiber leading orchestras, and draws on interviews with individuals who knew and worked with the maestro, including Otto Schenk, Riccardo Muti, Michael Gielen and Ioan Holdender. Carlos Kleiber also turns up to conduct a series of illustrative musical excerpts.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive. The Pierre Audi production of Mozart's Die Zauberflöte was recorded live at the 2006 Salzburger Festpiele.

Determined to wed, a foolhardy old man is tricked by his friends into a sham wedding with an impish widow who turns into a harpy -- which subsequently cures his desire to marry in composer Gaetano Donizetti's famous opera buffa. Baritone Alessandro Corbelli plays the title character in this lush 2002 production also starring soprano Eva Mei and tenor Antonino Siragusa, with maestro Gérard Korsten leading the Chorus and Orchestra of Teatro Lirico.

Wiener Philharmoniker, director Riccardo Muti

Documents the interpretations of Gustav Mahler's compositions by conductors Bernard Haitink, Riccardo Chailly, Riccardo Muti, Claudio Abbado, and Simon Rattle, who detail the special relationship they have with Mahler's work.

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

The artistic evolution of the great composer, whose work left an indelible mark in the history of Italian cinema. In this documentary Nino Rota's extraordinary musical production relives in the words of his friends and colleagues. His collaboration with Visconti and Fellini are truly memorable. His movie score and sequences of his performances in theaters all over the world hand us down a full and evocative outline of this outstanding artist.

A look at the life and work of composer Nino Rota.

An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.

It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

Vienna New Year's Concert Neujahrskonzert der Wiener Philharmoniker, Live from Musikverein concert hall, Status: Active, Genre: Music event, Date(s): 1 January, Frequency: Annual, Venue: Musikverein, Location(s): Vienna, Country: Austria Years active 1939, 1941–present, Inaugurated 31 December 1939; 82 years ago Organised by Musikverein The Vienna New Year's Concert (Neujahrskonzert der Wiener Philharmoniker) is an annual concert of classical music performed by the Vienna Philharmonic on the morning of New Year's Day in Vienna, Austria. The concert occurs at the Musikverein at 11:15. The orchestra performs the same concert programme on 30 December, 31 December, and 1 January but only the last concert is regularly broadcast on radio and television.

Diana Damrau performs the title role of Salieri's opera staged in the Teatro alla Scala in 2004. Riccardo Muti conducts the Teatro alla Scala Orchestra and Chorus with the cast also including Desirée Rancatore as Semele and Genia Kühmeier as Asterio.