A homely but vivacious young woman dodges the amorous attentions of her father's middle-aged employer while attempting to please her glamorously stuck-up roommate Meredith.

Sir James Forbes arrives in a remote Cornish village to identify a mysterious plague afflicting the population. Local squire Charles, a disciple of Haitian witchcraft, is using the voodoo magic to resurrect the dead to work in his decrepit and unsafe tin mines that are shunned by the local population. But his magic relies on human sacrifice and he unleashes his army of the undead on the unsuspecting village with horrific consequences.

On the planet Vortis, the Doctor and his companions aid the butterfly-like Menoptra in their battle against the parasitic Animus and its mind-controlled minions, the ant-like Zarbi.

Gideon's Way is a British television crime series made by ITC Entertainment in 1964/65, based on the novels by John Creasey. The series was made at Elstree in twin production with The Saint TV series. It starred Liverpudlian John Gregson in the title role as Commander George Gideon of Scotland Yard, with Alexander Davion as his assistant, Detective Chief Inspector David Keen, Reginald Jessup as Det. Superintendent LeMaitre, Ian Rossiter as Detective Chief Superintendent Joe Bell and Basil Dignam as Commissioner Scott-Marle. The show did not acknowledge any help from Scotland Yard, any other police force or advisor. Daphne Anderson starred as his wife, Kate with Giles Watling as young son, Malcolm, Richard James as older son, Matthew who seemed to have a lot of new girlfriends and Andrea Allan as daughter, Pru. Unusually for police stories, Gideon was shown as a family man at home though urgent phone calls from his bosses tend to disrupt family plans too often. However, he did admit in "State Visit" that his wife had walked out on him for a while years ago when he put the job first and her second. They live in an expensive detached house in Chelsea.

Patricia Routledge gives a career-best performance as Queen Victoria in this 1964 series of plays based on the celebrated collection of dramas by playwright Laurence Housman. Self-willed, obstinate, imperious and passionate... a now-familiar description of one of history's longest-serving female monarchs – but Housman's satirical tribute marked a decisive break with the tradition of the uncritical historical portrait. A Broadway hit deemed too disrespectful for public performance in Britain until the late 1930s, Victoria Regina is a frank portrayal of an extraordinarily complex woman, tracing her development from royal teenager to inconsolable widow at the helm of a vast empire, with all her contradictions, prejudices and unconstitutional behavior.