Yuko Tanaka, who "married into" the Tanaka family, a family running a poultry farm, led a modest life despite being mistreated by her sister-in-law, Satomi Tanaka. One day, Saki Watanabe, the mistress of Yuko's husband, Ryosuke Tanaka, applies for a live-in employee position at the poultry farm. Unaware that Saki is her husband's mistress, Yuko, who conducts the interview, decides to hire her. Thus begins a strange cohabitation, including the husband's mistress.

Kondo, a man with a reason for returning to his hometown of Ginpei-cho, where he spent his youth, unexpectedly meets Sato, a homeless man who loves movies, and Kajiwara, the manager of a movie theater. He starts working part-time at the theater. Surrounded by the theater staff and colorful regular customers, he gradually begins to find renewal, but...

Yoshio is a man who works for the city's water department and live with his mother. He regularly visits to the SM Queen Miho, but he still cannot forget the legendary SM Queen Yukiko.

Saya who came to Tokyo after being traumatized by an incident eight years ago. She learns that the man involved in the case has been engaged to her sister and returns home without being able to stand. Saya's radical words and deeds involve the people around him and reveal their hidden humanity.

Manami helps out at her family's beauty salon and runs the unsuccessful "50% Theater Company." One night, after missing a call from Nao, her sister, Manami later discovers that Nao died that very night. After getting into a conflict with her mother, Manami and a friend set out for Tokyo in order to collect Nao's things. There, through encounters and reunions with various people, Manami finally comes to face with herself.

Kashikura Rin is an official charity supporter on a local TV station's charity program. She is depicted as being worried about how to deal with people and how to live as she approaches the turning point of her life at the age of 20. (c) nathalie.mu

Having failed to get into graduate school, with no girlfriend, no money, and no prospects of success with his band, Tsurugi's life has reached rock bottom. One day, after watching the video of Aya Matsuura's song “Momoiro Kataomoi”, he becomes obsessed with the idol singers of “Hello! Project”, and plunges into the idol geek lifestyle. However, as time passes, he and his buddies all find other things just as important as the idols and begin to move on.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Members of Kanna's university dance circle got together for the first time in a few years to celebrate the engagement of Kanna and Masao. Suspicion arises that Kanna and another member had sex, leading to fights and arguments between friends.

Kana Fujisaki is an unsuccessful idol who does gravure and also works as a singer-songwriter. Her production company is trying to get her a pillow fight with a producer in the industry, as she is not selling well as a singer. And she is terrified of being stalked by a black shadow, perhaps due to her daily stress.

The tragedy of the girl who has become a monster. A fantasy story of life, eros and love.

Kiriko is pretty girl, working at an office. She also binge eats and then makes herself vomit. The male workers like her, but female workers hate her. Kiriko believes that the only that matters for a woman is being cute. Kiriko has Yuto, who works at a bar. The relationship between Kiriko and Yuto is more than friends, but less than a romantic relationship.

Memories can be blocked, but they can also be invented. Psychology professor Eiko works with people who were traumatized by the 2011 earthquake and tsunami disaster. But the topic affects her more personally than she wants to admit. Narrative structures begin to intertwine, reality becomes ambiguous. Like a surgeon, SHINOZAKI dissects the human mind in this complex yet moving film.