It follows a group of people who are still living in temporary housing 12 years after a natural disaster called "Nani" destroyed their town.

Late 18th century, Tohoku. An outcast girl, Rin lives in a village suffering from famine. She draws strength from Mt. Hayachine, where the spirits of humans ascend after passing.

In an alternative feudal Japan, a strange disease that only affects males caused a massive population reduction, leaving females to fill the vacant jobs, therefore changing the social structure. Now, 80 years after the initial outbreak with a 1:4 male:female ratio, Japan is a completely matriarchal society. Females hold all important political positions, and males are their consorts. Only the most powerful female—head of Tokugawa shogunate—may keep a harem of handsome and unproductive males, known as "Ōoku".

A comedy focusing on Kondo Asami, a 33-year-old single woman who lives with her parents and works at the local city hall, and suddenly finds herself starting her life over from scratch.

A woman who has not seen her father for several years and does not have a good relationship with him. An unsociable man who lives near her father's house. Slowly the relationship between the woman, her father, and the man changes.

Kasumi doesn't know what love is and she doesn't have any feeling of romance. Due to her sister's marriage, her mother arranged a formal marriage arrangement without her permission. At the meeting, she met a man who is just seeking friend.

An emotional coming-of-age drama centered around Andou Jun, a gay student who is not out. He accepts a confession from his fujoshi classmate Miura Sae and they start dating. However, Jun is also seeing Makoto, but fails to tell Sae about his male lover.

Inspired by multiple true cases of false accusations, Elpis follows Ena Asakawa (Masami Nagasawa), a former network anchor whose star has faded due to scandal and now helms a late-night, less-formal magazine show. There an under-rated and rookie director Takuro Kishimoto (Gordon Maeda) begins to doubt a death row conviction which, together with Asakawa, make-up artist Cherry (Toko Miura) and star reporter Shouichi Saito (Ryohei Suzuki), they investigate and unravel as a state-wide conspiracy and cover up.

This seven-episode anthology features a cast of leading actors and depicts various forms of "love," such as love almost forgotten, love between sons and mothers, and love that transcends borders.

M, a mystery writer, has a girlfriend of five years named F, who disappeared on Halloween night. When a woman comes and claims to be her sister, M begins the search for his girlfriend. Along the way, the people he meets describe a woman very unlike the F he knew.

Twenty-year-old Matsuri Takabayashi learns that she only has ten years to live due to an incurable disease. She decides to not dwell on her life and not to fall in love – until she meets a man named Kazuto Manabe at a school reunion.

Spanning locations in Tokyo, Hiroshima, and Hokkaido and featuring interviews with cast members and rare behind-the-scenes footage, it captures the creative collective journey of the filmmaking team.

Sometime, the only thing that helps people get over a breakup is the taste of their favorite dish... Set in real restaurants in Tokyo, the taste of the food gently embraces the women’s souls and kindly heals their broken hearts. The main character, Miki (Alice Hirose), is a manga artist. She publishes her work, Heartbreak on a Plate, in a free magazine. Each episode presents the stories of the broken hearts who come to the restaurant, and through the food, we are introduced to their “heartbreak on a plate” experiences. Sometimes comical, sometimes human, the series portrays people who are trying to move forward even after heartbreak. Throughout a total of 10 episodes, the relationship between Miki and a man from the flower shop (Kai Inowaki) gradually evolves into something more.

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

In 1964, Momoko came by herself to Tokyo from her hometown. She met Shūzō and married him. They raised two children together, but Shūzō suddenly passes away. Momoko is dumbfounded by being alone again. She begins to go to the library and borrows books. This changes her life.

13 disparate young people connected by chance or circumstance intersect as they ponder their place in the world and deal with the pressures and heartaches of modern life in Japan’s busy capital.

The story centers on Kinuko who lives together with her granddaughter Nagisa in the house she once shared with her late husband and where she raised her children. On a spring morning, on the important 49th day after her husband’s passing, the goldfish he had been taking care of suddenly dies. Kinuko wraps its body in camellia flowers and buries it in the garden. She spends her day thinking of the past, cherishing her memories and trivial events. The financial burden of taking care of the house and the garden is becoming too heavy for her and she now faces the logical decision of selling the place…

Kiyomi Koike is a 16-year-old girl. She has all these different emotions intertwined in her mind. One day, she suddenly blurts out "What is a woman?" She then hears a DJ's voice in her head. The voice states "Women's Songs! Radio FM999 starts." The DJ in Kiyomi Koike’s head proceeds to spin songs that matches her worries. With her eyes closed, Kiyomi Koike meets various women in the world of music and learns from them.

Tenko runs a pension alone. The pension is located in a forest in Nagano, that is full of the Japanese larch tree. She interacts with her guests, who come from all walks of life.

Kanto, 14, a descendant of Japan's indigenous Ainu people, decides to visit a hole in the forest — a path to the other side of the world where dead people live, hoping to see his deceased father.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Consensual polyamorous relations between Hiroki, Natsuki, and Kanako are injected with palpable tension following their cohabitation, resulting in an unexpected turn of events.

On a gloomy Monday morning, my week begins. Although I (Bakarhythm) am sleepy, I put on my make-up and I leave home for work at a bank. I take the subway filled with passengers and get off on the nearest subway station from work. I meet Maki Fujikawa (Kaho) at that subway station. She is my closest colleague at work. While talking with each other, we get to our workplace.

A young bioarchaeologist Yukisuke is attracted to a girl Koyomi, who runs a small stand of taiyaki pastry that he often buys. Koyomi is hospitalized, however, by a car accident on a rainy day after they go out together, and wakes up with short term memory loss, where she cannot remember anything beyond the present day. Yukisuke tries to live close to her as before but the lack of collective memory starts to stagger him.

It was a pre-destined love and marriage for Sonoko and Tetsuo. They tied the knot and became husband and wife no questions asked. All is well then. Well, perhaps not. Each holds a secret that even the binds of matrimony cannot untie. Sonoko does not know that Tetsuo makes sex dolls or Dutch wives. Sonoko has a secret too. She is about to tell Tetsuo what she has been hiding. Their marriage is already sexless. Will they make it?

Set in present day Tokyo, Shishio Homare (Dean Fujioka) works as a freelancer crime consultant. From an early age, Shishio Homare has been fascinated with how people become criminals and in original sin. He is a genius, but he also has an impulse to commit crimes. Shishio Homare works on cases which interests him among police or customer requests. Meanwhile, Junichi Wakamiya (Takanori Iwata) is a psychiatrist. He is smart and cool-headed. Due to a case, Junichi Wakamiya gets involved with Shishio Homare. At first, Junichi Wakamiya thinks Shishio Homare is ignorant and arrogant, but, as they work together, Junichi Wakamiya gets comfortable with Shishio Homare.

Set towards the end of World War II, Kaede Itakura, who leads kindergartners, and Mitsue Nonomiya, who enjoys music, persuades the parents at the school to take their children out of Tokyo. They seek shelter at an abandoned temple in Saitama while Tokyo is bombed.

Shu Tajimage happens to meet Fumiyo Bessho, a former high school senior, by chance. He is a popular guy with many girlfriends. But he has to end these relationships out of necessity. After hearing his story, Fumiyo unintentionally mutters that this situation is exactly like Osamu Dazai's unfinished novel 'Goodbye'. Shu is moved by the queer coincidence.

When Suei was little, his mother had an affair with a young man who lived next door. Suei's mother and the young man killed themselves by using dynamite. After Suei graduated from high school, he worked at a factory before quitting his job. He then went to Tokyo and began working in the erotic magazine industry. Suei eventually became the chief editor of a famous erotic magazine in the 1980's.

Taichi's father is the only family he has, but his father commits suicide by hanging. People suspect Taichi might have killed his father. Because of this, Taichi loses his job and he also loses his place. On the day his father is cremated, Taichi meets Tsukiko who is mentally handicapped. Tsukiko has run away from a facility.

With next year's university entrance exams looming, high school senior Yoshiyama Mihane is beginning to feel the blues. She recently joined the school's photography club. As she walks by the science lab one day after school, she smells the aroma of lavender. From that moment on, she acquires the ability to leap freely through time and the days ahead are marked with bizarre occurrences...

Drama clubs from an all boys high school and an all girls high school hold a joint training camp. The schools are set to merge the following year. At the training camp, horrific and unusual events take place. Soon, the students learn that Dorome an old mountain legend is responsible.

Drama clubs from an all boys high school and an all girls high school hold a joint training camp. The schools are set to merge the following year. At the training camp, horrific and unusual events take place. Soon, the students learn that Dorome an old mountain legend is responsible.

Based on Fuyumi Ono's best-selling books, these 10 tales of spookiness by six Japanese horror directors are designed to chill viewers to the bone.

Four female high school students in Fukuoka are big fans of Japanese rock band "CreepHyp." They decide to go to Tokyo to attend their concert.

Chiyoko's mother died when she was young. Since that time, Chiyoko has closed her heart to others. After her pet dies, Chiyoko feels loneliness. Her mother liked the Italian movie "La Strada." Due to movie study club senior, Masamune, Chiyoko is able to watch the Italian movie "La Strada," which her mother liked. Chiyoko soon acts in a movie directed by Masamune.

Mei Tachibana is a high school student. Due to a traumatic incident when she was a kid, Mei has been unable to make friends or have boyfriends. By mistake, Mei then injures the most popular male student named Yamato Kurosawa. Somehow, Yamato Kurosawa likes Mei Tachibana and tells everyone unilaterally that Mei is his friend. One day, Yamato Kurosawa saves Mei Tachibana from a stalker by kissing her. From that kiss, their love story begins.

New idol group Electric★Kiss appears in front of idol group BiS. The girls in BiS go up against a conspiracy planned by Electric★Kiss.

The story of a school festival that is being jointly organized by Tadakuni, Yoshitake, and Hidenori's all-boys school and an adjacent all-girls school. At an all boys high school, Tadakuni (Masaki Suda), Yoshitake (Shuhei Nomura) and Hidenori (Ryo Yoshizawa) are close friends and think usually all day about girls. Their high school then co-hosts a school festival with an all girls high school.

A new salesman named Kosuke Okuda happens to meet Mao Watarai, a friend from his middle school days. Back then, Mao was called stupid and bullied, but now she is an attractive woman. Kosuke and Mao fall in love and decide to marry, but Mao has a secret.

Teacher Akira Suzuki breaks away from long-held customs and norms at his school. He tries hard to have the ideal classroom by using his own "Suzuki method". The new semester begins. His homeroom 2-A class is about to have a student council election and preparations for a school festival. A man then takes a female student hostage...

Seiji Hasumi is a popular English teacher in a private high school. He is also a violent and sociopathic killer, who slowly takes control of the students and faculty through murder and manipulation. When he is caught in the act during preparations for the school cultural festival, he sees staging a massacre as the only way out.

This drama is based on a story that ran for 14 years in the Kodansha published weekly manga Morning. Yoshinori Yanagisawa is an economics professor at International Cultural University. He keeps to the right of the sidewalk when he walks, and doesn't cross the street any place other than a crosswalk. He loves low-cost, great tasting dried fish, and will walk to the end of the earth to get one. No matter what has happened to him during his day, he always goes to bed at 9 p.m. Today, Yoshinori's day began with an argument with his daughter Setsuko about whether to cross the street at a crosswalk or not.