Paulo, a young pianist, meets Ilir, a double-bass player originally from Albania. It's love at first sight. Confronted by Anka, Paulo finds himself out on the street. Despite Ilir's misgivings, Paulo moves in with him. One day, when Paulo promises that he will love Ilir for the rest of his life, Ilir leaves the city and doesn't return. A few days later, Paulo finds out that Ilir is in jail, and the two lovers embark on an heart-breaking relationship.

Bruno pursues Fabrice, runs without calculation, to fly away with him, until the end.

A journey inside a picture thus offers the opportunity to travel through Belgium at the approach of the 21st century, and also to bring up a host of questions an what the eye sees: what do we see disappearing under our very eye? Why do we look at specific things? What is a point of view?

End of the seventies. Somewhere in the North of France, Frédéric, a 40-year-old, picks up Marlene, a young hitchhiker. They decide to spend the night at an inn.

A renowned conductor suddenly pulls out of an evening rehearsal of Madame Butterfly. The opera director senses something is going on and forces the musician to explain himself.

Three 'Bukowskian' torrid nights in the life of a man in search of love. Harry Voss, 12, is young and naive. Love, for him, is romantic love between princes and princesses demurely kissing each other on the mouth. His father is a hero who kidnapped his mother and married her on a lonely mountain peak... Later on, he'll do the same. But Harry has a lot to learn. He learns about 'being hot' and 'fucking' and about what you have to do when you're alone and 'feel the itch'. He also learns that there are handsome men and ugly ones, that love can be unfair. That one can find comfort in drinking... but above all he learns that man is capable of anything - absolutely anything! - to get his fair share of love.

John, a television director, is preparing a show on speed. A phone call from his girlfriend Sophie makes him leave the studio in a hurry. Ηe drives fast and quarrels with another driver. John is upset; he insults the other man and drives off. In the meantime, the producer of the show changes John’s editing. John’s assistant calls him at home but John tells him that they should talk later. John hears the sound of another car and looks out the window. We hear the sound of an accident. John shouts and runs out onto the road. Sophie has hit a pedestrian. She was on her way to tell John that they are expecting a child.

Unable to possess Ivy in reality, Adrian organizes himself so as to know everything about her, to possess her story. Like the viewer, Adrian will be an involuntary detective, witness to a passion.

Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.