Because of their "new money" background, four American girls have difficulty breaking into the upper-crust society of New York. Laura Testvalley, the governess of one of the girls, suggests a London season and thus the young women set sail for England and the unsuspecting English aristocracy. In England, all the girls soon find eligible husbands and the youngest girl, Nan, seems to land the best husband of them all: the handsome and very wealthy Julius, Duke of Trevennick. The girls soon discover that English upper-class men are not at all what they expected and hoped for.

For Halloween 1992, the BBC decides to broadcast an investigation into the supernatural, hosted by TV chat-show legend Michael Parkinson. Parky (assisted by Mike Smith, Sarah Greene & Craig Charles) and a camera crew attempt to discover the truth behind the most haunted house in Britain. This ground-breaking live television experiment does not go as planned, however.

Jeeves and Wooster is a British comedy-drama series adapted by Clive Exton from P.G. Wodehouse's "Jeeves" stories. It aired on the ITV network from 1990 to 1993, starring Hugh Laurie as Bertie Wooster, a young gentleman with a "distinctive blend of airy nonchalance and refined gormlessness", and Stephen Fry as Jeeves, his improbably well-informed and talented valet. Wooster is a bachelor, a minor aristocrat and member of the idle rich. He and his friends, who are mainly members of The Drones Club, are extricated from all manner of societal misadventures by the indispensable valet, Jeeves. The stories are set in the United Kingdom and the United States in the 1930s.

A young British girl journeys to Paris to go to college, and is determined to find the man of her dreams and fall madly in love. However, things don't work out quite the way she planned.

The adventures of the eponymous Lovejoy, a likeable but roguish antiques dealer based in East Anglia. Within the trade, he has a reputation as a “divvie”, a person with an almost supernatural powers for recognising exceptional items as well as distinguishing genuine antique from clever fakes or forgeries.