Crime film distributed by Taiho.

A leading postwar Japanese film critic and theorist who co-founded the seminal film magazine Eiga Hihyo (Film Criticism) in 1957, Eizo Yamagiwa made his directorial debut with this independent feature—long thought lost until a negative was recently discovered—about a group of idle bourgeois students known as the “Roppongi Tribe” (Roppongi zoku). Depicting the resignation and nihilism of the postwar generation in the years following the Anpo Treaty conflicts through a coming-of-age narrative, Yamagiwa offers sharp criticism of the prevalent characterizations of Japan's new youth offered by Nikkatsu's taiyozoku (“Sun Tribe”) films and the New Wave at large.

1961 Japanese film about the Shinsengumi.

With the object of discovering the male accomplice of Hideko, a bad girl, Michiko, a police-woman, disguises herself and infiltrates a gang. Then in a reformatory, under the name of Suzuko, she finds a certain girl who is familiar with Hideko and from her she approaches a woman, named Keiko. One day, at a beer-hall, the police-woman meets Keiko who just finished a secret narcotics transaction and asks her about Hideko. However, with the sudden appearance of Saburo, one of the gang, her search fails, and an exciting pursuit begins. Later Keiko is found dead.

Two lovers lost in the mountains. In what direction do not go, they find themselves in a mysterious forest pond, as if some kind of force does not want to let them go. Once upon a time, over a century ago, there had been a crime, whose shadow still hovers over these places.

After the massacre of Christians at Shimabara, followers of Amakusa Shiro band together in a plot to overthrow the shogunate in order to exact revenge on the Tokugawa. At the same time there is a succession dispute in the Kuroda clan, as one faction tried to usurp the rightful heir and take over the honored clan. Before his untimely death, the lord of the Kuroda bestowed “Nihongo”, a magnificent spear, on his finest warrior, which ultimately brings him into contact with two of Japan’s most famous historical figures, Yagyu Jubei and Miyamoto Musashi. Can the three masters of martial art join forces to defeat their enemies and save the nation?

Japanese film.

This time around, Sashichi is investigating a case of serial murders believed to be perpetrated by a giant bear.

In the northern province, two waitresses Mieko and Hanako from Tokyo, are missing somewhere near the River Kitakami. At night, the villagers of Shirayama gather round a blazing fire, and utter incantations while an old headman tempers a sword...

Sashichi investigates the mysterious murders of four beauties, all of whom were stabbed in the chest.

Japanese film, originally released in two parts.

The film marked Yōko Mihara's debut as the star of Shintoho's series of ama films, a role she took over from Michiko Maeda.

The year is 1937, and it has been six months since the Sendai Infantry left for Manchuria. The rotted corpse of a young woman is found at the bottom of a well, but her face and limbs are gone. The military police begin an investigation and search fervently for the person responsible, but they can't even determine the victim's identity, much less find any clues. However, the incident is made public when newspapers give wide coverage to the story, so Staff Sergeant Kosaka is dispatched from Tokyo to solve the case. Eventually, General Tsunekichi is taken into custody by local infantrymen because of the testimony of another unit, but the spirit of the dead woman appears before Staff Sergeant Kosaka, who continues to investigate on his own...

A samurai rescues a mischievous tanuki from hunters and sets it free. When the samurai's wastrel son hatches a plot to kill his father for his fortune, the magical tanuki is determined to protect its rescuer.