Ron Peck talks about his experiences of growing up as a gay man, the attitudes to homosexuality in Britain, and his journey towards making his film "Nighthawks" (1978).

Matthew Hollis is man on holiday in Rio with his best friend. Both men have teenage daughters with them. When Matthew falls for his best friend's amorous daughter named Jennifer, they embark on a secret, if slightly one-sided relationship. Jennifer's father is furious when he finds out about the 'older man' in his daughter's life, and sets out to hunt him down with the aid of Matthew!

The Onedin Line is a BBC television drama series which ran from 1971 to 1980. The series was created by Cyril Abraham. The series is set in Liverpool from 1860 to 1886 and deals with the rise of a shipping line, the Onedin Line, named after its owner James Onedin. Around this central theme are the lives of his family, most notably his brother and partner, shop owner Robert, and his sister Elizabeth, giving insight into the lifestyle and customs at the time, not only at sea, but also ashore. The series also illustrates some of the changes in business and shipping, such as from wooden to steel ships and from sailing ships to steam ships. It shows the role that ships played in affairs like international politics, uprisings and the slave trade.

Faustus is a scholar at the University of Wittenberg when he earns his doctorate degree. His insatiable appetite for knowledge and power leads him to employ necromancy to conjure Mephistopheles out of hell. He bargains away his soul to Lucifer in exchange for living 24 years during which Mephistopheles will be his slave. Faustus signs the pact in his own blood and Mephistopheles reveals the works of the devil to Faustus.

Public Eye is a British television series that ran from 1965 to 1975. It was produced by ABC Television for three series, and Thames Television for a further four series. The series depicted the investigations and cases handled by the unglamorous enquiry agent Frank Marker, an unmarried loner who is in his early forties when the series begins. In the words of an ABC trailer for the third series: "Marker isn't a glamorous detective and he doesn't get glamorous cases—he doesn't even get glamorous girls. What he does get is people who are in trouble—the sort of trouble you can't go to the police about, even if you are innocent."