A leading postwar Japanese film critic and theorist who co-founded the seminal film magazine Eiga Hihyo (Film Criticism) in 1957, Eizo Yamagiwa made his directorial debut with this independent feature—long thought lost until a negative was recently discovered—about a group of idle bourgeois students known as the “Roppongi Tribe” (Roppongi zoku). Depicting the resignation and nihilism of the postwar generation in the years following the Anpo Treaty conflicts through a coming-of-age narrative, Yamagiwa offers sharp criticism of the prevalent characterizations of Japan's new youth offered by Nikkatsu's taiyozoku (“Sun Tribe”) films and the New Wave at large.

1959 Japanese movie

In post-WWII Japan, an American captain is brought in to help build a school, but the locals want a teahouse instead.

Chuck Rodwell is a gambling cowboy who discovers that he's lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn't like to hold hands with him, at least not in the beginning...